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Spatial Readings and Linguistic Landscapes
Talking about space in literature and linguistics is a major challenge, not only for experts in the field of the humanities, but also for the broader public, searching for orientation clues on the vast book market. This volume offers a selection of studies which, even though reliant on shared instruments, apply these to different geographical spaces, uniting along an imaginary axis the East and the West, advancing challenging, serious and innovative analyses of prose, dramatic and film texts, belonging to literatures from various countries, but also references to the phenomenon of migration seen through the lens of spatial correspondence or the existence of a “third space” dimension in the field of teaching foreign languages. The journey the impassioned reader will undertake through this volume will undoubtedly offer both the pleasure of reading itself, and incursions into complementary cultures, an endeavour completed by the unique mechanism of a spatiality which produces knowledge. Any reading engaged in through the lens of space implicitly becomes a form of owning and assuming the latter.
The Geopolitical Black Sea Encyclopaedia
Today, we know what the Black Sea is not from a strategic perspective, but we do not know what it is. This strategic indecision is the explanation for all the conflicts, frozen or not, explicit or tacit, and all the political and geopolitical tensions that are now taking place in this space and that are becoming endemic. The story of the Black Sea continues… This text is the first encyclopaedia explicitly dedicated to the geopolitics of the Black Sea, written for Western audiences, an academic research which appeals to the wider academic community, PhD students, professors, and researchers, and to any reader interested in geopolitics, history, international relations, economy, sociology, history, and geography.
Who's Who in Contemporary World Theatre
Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
World Encyclopedia of Contemporary Theatre
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
The Routledge Companion to Dramaturgy
Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediat...
First International Conference on Artificial Intelligence and Cognitive Computing
This book presents original research works by researchers, engineers and practitioners in the field of artificial intelligence and cognitive computing. The book is divided into two parts, the first of which focuses on artificial intelligence (AI), knowledge representation, planning, learning, scheduling, perception-reactive AI systems, evolutionary computing and other topics related to intelligent systems and computational intelligence. In turn, the second part focuses on cognitive computing, cognitive science and cognitive informatics. It also discusses applications of cognitive computing in medical informatics, structural health monitoring, computational intelligence, intelligent control systems, bio-informatics, smart manufacturing, smart grids, image/video processing, video analytics, medical image and signal processing, and knowledge engineering, as well as related applications.
Bliss
Bliss and Other Stories is a 1920 collection of short stories by the New Zealand writer Katherine Mansfield.
The Man Who Loved Books Too Much
In the tradition of The Orchid Thief, a compelling narrative set within the strange and genteel world of rare-book collecting: the true story of an infamous book thief, his victims, and the man determined to catch him. Rare-book theft is even more widespread than fine-art theft. Most thieves, of course, steal for profit. John Charles Gilkey steals purely for the love of books. In an attempt to understand him better, journalist Allison Hoover Bartlett plunged herself into the world of book lust and discovered just how dangerous it can be. John Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars worth of rare books from book fairs, stores, and librarie...
Watching Pages, Reading Pictures
Italian cinema is internationally well-known for the ground-breaking experience of Neo-Realism, comedy Italian-Style, Spaghetti Westerns, and the horror movies of the seventies. However, what is rather unfamiliar to wider audiences is Italian cinema's crucial and enduring affair with literature. In fact, since the very beginning, literature has deeply influenced how Italian cinema has defined itself and grown. This book provides an empirical approach to this complex and fruitful relationship. The aim is to present discussions dealing with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. Among the adaptations discussed, are those that have followed trends and critical debates, making them, at times, rather problematic.
