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An executive coach shares essential advice on how to succeed by being your best self—even at your worst moments. Everyone faces frustration and stress, but we don’t have to let these challenging moments take control of us. In Be the Hero, executive coach Noah Blumenthal introduces us to the way of the “Everyday Hero” and shows how to turn self-defeating thoughts and behaviors into heroic actions. All day long, without even realizing it, we tell ourselves dozens of stories about other people, our situations, and ourselves. These stories shape our emotions and behavior, making us think and act like either a hero or a victim. Be the Hero shows you how to choose the stories that lead to personal and professional success. In the tradition of the best storytellers, Blumenthal weaves a tale of a young professional’s journey from victim to hero, one that is both captivating and profound. The powerful resources at the end of the book, including a hero tip of the week, smart cards, manager tip sheets, and more, will help you make your hero stories stick
KIDS' BOOK CHOICE AWARDS FINALIST! Heroes take chances, do hard things, and sometimes even change the world. To become a hero, kids can surround themselves with supportive people, boost their self-esteem and self-awareness, find their passion, and have the courage make things happen. This book shows them how to be the hero of their own story and discover their own hero journey. What makes a hero? Activists. advocates, allies, and friends. Sometimes heroes are our parents, teachers, or siblings. The truth is, heroes are inside everyone, and kids can and discover their inner hero, too!
Matthias has got his dearest wish. His parents have retired from the farm, his brother,Chad has taken off to who knows where, and his sister, Ashton has taken up an offer to reside at a riding academy - that leaves Matthias free to run the farm as he's always wanted. But being in full control means he is also fully responsible for keeping the farm in good running order, something he finds out, all too soon, is not as easy as it sounds. All this pales into insignificance when his personal life seems to take on a life of its own. Pam is the girl he grew up with, the one that all and sundry expect him to marry. Fenella is the daughter of a wealthy newspaper mogul and she has decided that Matt is just the man she needs. Can Matt hold on to the farm through difficult financial times, and will he make the right choice between the two women who are viing for his love?
Tessa did not believe in Fate. Nor did she believe in miracles. Yet, a single decision veers her life onto a collision course of bizarre events.
This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.
Since it first aired in 1966, Star Trek has led American television into a more progressive era by presenting a diverse cast interacting as equals, demonstrating expertise and efficiency as they lead a starship across the galaxy. To this day, the Star Trek franchise strives to inspire viewers to find beauty in diversity and progress. In Social Movements and the Collective Identity of the Star Trek Fandom: Boldly Going Where No Fans Have Gone Before, David G. LoConto explores the development of the Star Trek fandom from its uncertain beginnings in the 1960s, to the popularity explosion in the 1990s and its triumphant return in 2017. LoConto analyzes the cultural phenomena of Star Trek through a social psychological approach, using symbolic interactionist and strategic ritualization theories, as well as ideas from Habermas and Foucault to track the fandom’s movements, values, and evolution.
Part philosophy, part practical handbook, 'The Hero Forge' is designed to empower those who want to make a difference in the world. Andy Fisher guides you, chapter by chapter, through the tools, attributes and skills needed to be of service, at a time when we are more in need of heroes than ever before. You do not need a cape, a mask or any superpower to become an 'everyday hero', just a growth mindset and the desire to be part of something bigger than yourself. Heroes are not born, they are forged and this is your call to adventure. Will you shy away or embrace the challenge?
The Rhetoric of the New Political Documentary explores the most visible and volatile element in the 2004 presidential campaign—the partisan documentary film. This collection of original critical essays by leading scholars and critics—including Shawn J. and Trevor Parry-Giles, Jennifer L. Borda, and Martin J. Medhurst—analyzes a selection of political documentaries that appeared during the 2004 election season. The editors examine the new political documentary with the tools of rhetorical criticism, combining close textual analysis with a consideration of the historical context and the production and reception of the films. The essays address the distinctive rhetoric of the new politica...
This volume adds to previous historical and political studies about 'Gladiator' with essays about the movie’s relation to pop culture and contemporary discourses. It not only relates 'Gladiator' to traditional cinema aspects such as heroism, music, acting, studio culture, and visual effects, but it also connects the film to sports, religion, and the environment, expanding the ways in which the film can be evaluated by modern audiences. The volume can be read by individuals or in classroom settings, especially as a recommended text for students studying the ancient world in film.
The kidnapping of three US oil workers from an oil refinery facility in Iran, on charges of spying, increased tensions with the already perilous relations between the two countries. With sanctions already in place and diplomacy having failed, the US President, realising his hands were tied, has only one other course of action at his disposal. With a network of global spy agencies in play, it was a race against time to uncover the sinister secrets of the regime. This is the third book in the Jack Copeland series