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A Companion to Clare of Assisi
Clare of Assisi: Life, Writings and Spirituality examines Clare not merely as an obedient footnote to the friars, but as a Franciscan founder in her own right who kept primitive Franciscan ideals alive into the middle of the thirteenth century and transposed them into a woman s key. Bringing together the best of international research, the text examines Clare s importance within the early Franciscan milieu and her contribution to the thirteenth-century women's movement. It studies the radicalism of Clare's Franciscan choice, her life within the Monastery of San Damiano, her politicking with Agnes of Prague for the privilege of poverty," and her uniqueness among other women in Gregory IX's Damianite ordo. Following this historical study are critical translations and literary analyses of Clare's four letters to Agnes of Prague as well as a new translation and commentary on Clare s Forma Vitae."
The Humanist World of Renaissance Florence
The Humanist World of Renaissance Florence offers the first synthetic interpretation of the humanist movement in Renaissance Florence in more than fifty years.
The Origins of the Platonic Academy of Florence
Founded by Cosimo de' Medici in the early 1460s, the Platonic Academy shaped the literary and artistic culture of Florence in the later Renaissance and influenced science, religion, art, and literature throughout Europe in the early modern period. This major study of the Academy's beginnings presents a fresh view of the intellectual and cultural life of Florence from the Peace of Lodi of 1454 to the death of Cosimo a decade later. Challenging commonly held assumptions about the period, Arthur Field insists that the Academy was not a hothouse plant, grown and kept alive by the Medici in the splendid isolation of their villas and courts. Rather, Florentine intellectuals seized on the Platonic ...
Stone Sarcophagi of the Roman Empire
Over fourteen expeditions I drove a hundred thousand miles across four continents searching out churches, cathedrals, baptistries, catacombs, archeological sites, art galleries, antiquities museums, necropoleis, classical gardens, castles, fortresses, palaces, and private homes--any place that had a Roman Empire era stone sarcophagus. Beside the work of locating and cataloguing sarcophagi, the project I set for myself twenty years ago, I composed explanatory material to say how I did my work, noted what was to be found sculpted on sarcophagi, and developed a schema for organizing the various visual characteristics found on sarcophagi. On the model of outsider art, my work is outsider scholarshipyet here is documentation of 1,932 presently existing Roman Empire sarcophagi.
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The Strozzi of Florence
Enter the turbulent world of a Florentine family through personal correspondence
The Figure of the Nymph in Early Modern Culture
Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.
