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Singing Reconciliation: Inhabiting the Moral Life According to Colossians 3:16
The letter to the Colossians contains a series of moral instructions in Colossians 3:12-17 and includes the admonition to "sing" among them. This study considers how music-making (specifically singing) supports moral formation according to the letter to the Colossians. Studies in ethnomusicology, anthropology of the voice, and music psychology offer useful frameworks for conceptualizing how a social practice like music-making forms participants into a community and shapes how they know themselves, their community, and the world. With the aid of these frameworks, we find that the singing in Colossians 3:16, as a corporate, vocal practice of music-making, enables the members of the church community to inhabit the story of reconciliation found in the Christ Hymn (Col 1:15-20).
Paul and the Image of God
In this book, Chris Kugler situates Paul’s imago Dei theology within the complex and contested context of second-temple Judaism and early Christianity in the Greco-Roman world. He argues that Paul adapted the Jewish wisdom and Middle Platonic traditions regarding divine intermediaries so as to present the preexistent Jesus as the cosmogonical image of God (according to which Adam himself was made) and toward which the whole of humanity was destined. In this way, Paul includes Jesus within the most exclusive theological category of second-temple Jewish monotheism: cosmogonical activity. Paul’s imago Dei christology, therefore, is a clear instance of “christological monotheism.” Moreov...
Singing Church History
Christianity is a "singing church," with biblical foundations and centuries of examples in the Psalms and canticles, favorite hymns, and gospel songs. And this singing church has a history. Through engaging tales of the stories behind this music and its authors, Rorem makes church history come alive. Singing Church History journeys through an ecumenical history of church music from early and medieval times through the Reformation and the early modern world, into American and World Christianity. Throughout, Rorem shows us how these familiar hymn texts have us "singing church history" on Sunday mornings without even knowing it. Rorem's analysis of well-known hymns from diverse strains of Christianity makes Singing Church History a useful resource for students, congregations, and curious readers. Placing familiar music from Roman Catholic, Orthodox, Lutheran, Pietist, Methodist, American evangelical, historically Black, and Christian communities around the world into historical context helps us appreciate the ecumenical nature of our musical traditions. Singing Church History includes hymn texts for easy reference.
The Letter to the Colossians
The Letter to the Colossians offers a compelling vision of the Christian life; its claims transcend religion and bring politics, culture, spirituality, power, ethnicity, and more into play. Delving deeply into the message of Colossians, this exegetical and theological commentary by Scot McKnight will be welcomed by preachers, teachers, and students everywhere.
The Word as word
This book provides an original translation methodology applicable to the New Testament, one that remains rooted in the literal Greek; considers its paleographic and philological characteristics as well as its socio-historical context; understands the text as part of a canonical whole; reflects its reception history in church doctrine and liturgy; accounts for "classical" formulations of its translation-tradition; yet speaks with contemporary literary style. In developing a new methodology, the book appropriates ancient and modern insights into the relationship of thought and language not previously considered in the context of translation. Further, the book is premised on the understanding t...
Colossians
This book investigates Colossians as a "captivity" letter from the primary implied author, the imprisoned Paul, to an implied audience of mainly Gentile converts currently in danger of influence by local Jews or Jewish Christians. Utilizing a text-centered, literary-rhetorical, and audience-oriented method, it demonstrates new chiastic structures for the entire letter that progressively encourage the audience to resist deceit and conduct themselves according to all the wisdom at their disposal as holy ones in Christ.
New Testament Theology and the Greek Language
In this book, Stanley E. Porter offers a unique, language-based critique of New Testament theology by comparing it to the development of language study from the Enlightenment to the present. Tracing the histories of two disciplines that are rarely considered together, Porter shows how the study of New Testament theology has followed outmoded conceptual models from previous eras of intellectual discussion. He reconceptualizes the study of New Testament theology via methods that are based upon the categories of modern linguistics, and demonstrates how they have already been applied to New Testament Greek studies. Porter also develops a workable linguistic model that can be applied to other areas of New Testament research. Opening New Testament Greek linguistics to a wider audience, his volume offers numerous examples of the productivity of this linguistic model, especially in his chapter devoted to the case study of the Son of Man.
Revelations of Ideology: Apocalyptic Class Politics in Early Roman Palestine
In Revelations of Ideology, G. Anthony Keddie proposes a new theory of the social function of Judaean apocalyptic texts produced in Early Roman Palestine (63 BCE–70 CE). In contrast to evaluations of Jewish and early Christian apocalyptic texts as “literature of the oppressed” or literature of resistance against empire, Keddie demonstrates that scribes produced apocalyptic texts to advance ideologies aimed at self-legitimation. By revealing that their opponents constituted an exploitative class, scribes generated apocalyptic ideologies that situated them in the same exploited class as their constituents. Through careful historical and ideological criticism of the Psalms of Solomon, Parables of Enoch, Testament of Moses, and Q source, Keddie identifies an internally diverse tradition of apocalyptic class rhetoric in late Second Temple Judaism.
The Transformation of Tĕhôm
Tehom, the Hebrew Bible’s primeval deep, is a powerful concept often overlooked outside of creation and conflict contexts. Primeval waters mark the boundary between life and death in the Hebrew Bible and the ancient Near East, representing the duality of both deliverance and judgment. This book examines all contexts of Tehom to explain its conceptual forms and use as a proper noun. Comparative methodology combined with affect and spatial theories provide new ways to understand how religious communities repurposed Tehom. These interpretations of Tehom empower resilience in times of suffering and oppression.
A Heavenly Chorus
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
