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This wide-ranging collection of essays examines modern intellectuals and ideologues. Matthew Feldman calls attention to the substantial role played in post-Great War Europe and the United States by religions--both familiar monotheisms like Christianity and secular 'political faiths'--over the last century of upheaval.
This edited volume arose from an international workshop convened in 2006 by Feldman and Turda with Tudor Georgescu, supported by Routledge, and the universities of Oxford, Brookes, Northampton and CEU (Budapest). As the field of fascist studies continues to integrate more fully into pan-European studies of the twentieth century, and given the increasing importance of secular ‘political religion’ as a taxonomic tool for understanding such revolutionary movements, this collection of essays considers the intersection between institutional Christian faiths, theology and congregations on the one hand, and fascist ideology on the other. In light of recent debates concerning the intersecting se...
This wide-ranging collection of essays examines modern intellectuals and ideologues. Matthew Feldman calls attention to the substantial role played in post-Great War Europe and the United States by religions--both familiar monotheisms like Christianity and secular 'political faiths'--over the last century of upheaval.
Ezra Pound was an influential propagandist for British, Italian and ultimately German fascist movements. Using long-neglected manuscripts and cutting-edge approaches to fascism as a 'political religion', Feldman argues that Pound's case offers a revealing case study of a modernist author turned propagator of the 'fascist faith'.
The nature of 'fascism' has been hotly contested by scholars since the term was first coined by Mussolini in 1919. However, for the first time since Italian fascism appeared there is now a significant degree of consensus amongst scholars about how to approach the generic term, namely as a revolutionary form of ultra-nationalism. Seen from this perspective, all forms of fascism have three common features: anticonservatism, a myth of ethnic or national renewal and a conception of a nation in crisis. This collection includes articles that show this new consensus, which is inevitably contested, as well as making available material which relates to aspects of fascism independently of any sort of consensus and also covering fascism of the inter and post-war periods.This is a comprehensive selection of texts, reflecting both the extreme multi-faceted nature of fascism as a phenomenon and the extraordinary divergence of interpretations of fascism.
The Irish writer and Nobel Prize winner, Samuel Beckett, assembled for himself a history of western philosophy during the 1930s, just at the point at which his first novel, Murphy, was coming together. The 'Philosophy Notes', together with related notes taken at that time about St. Augustine, thereafter provided Beckett with a store of knowledge, but also with phrases and images, which he took up in the major work that won him international and enduring fame, from the dramas Waiting for Godot and Endgame, through to the late prose works Worstward Ho and Stirrings Still. This edition presents, for the first time, Beckett's full 'Philosophy Notes', which constitute his most extensive unpublish...
The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett's early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century's leading artists, this collection is of interest to all students of Beckett's writing as well as 'historicist' scholars and critics of modernism more generally.
This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney
This timely intervention exposes the euphemized language of the extreme right as a deceptive attempt to secure greater influence over public policy. Since the end of World War II, the extreme right has made strategic use of “doublespeak,” which apes the language of liberal democracy. Attentive observation and accurate recognition of these tactics means taking the extreme right’s deliberately crafted slogans, symbols, and themes seriously. These essays investigate the extreme right’s attempts at “repackaging” contemporary ultranationalism to make it more palatable to mainstream European and American tastes.
A genuinely ground-breaking study of Beckett's notes on his reading during the interwar years, now available in paperback for the first time.