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All-American Redneck
Examining the icon's foundations in James Fenimore Cooper's Natty Bumppo--'an ideal white man, free of the boundaries of civilization'--and the degraded rural poor of Erskine Caldwell's Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and '80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool--reductive, confining, and (sometimes, almost) liberating--by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril.
Appalachia North
Appalachia North is the first book-length treatment of the cultural position of northern Appalachia--roughly the portion of the official Appalachian Regional Commission zone that lies above the Mason-Dixon line. For Matthew Ferrence this region fits into a tight space of not-quite: not quite "regular" America and yet not quite Appalachia. Ferrence's sense of geographic ambiguity is compounded when he learns that his birthplace in western Pennsylvania is technically not a mountain but, instead, a dissected plateau shaped by the slow, deep cuts of erosion. That discovery is followed by the diagnosis of a brain tumor, setting Ferrence on a journey that is part memoir, part exploration of geology and place. Appalachia North is an investigation of how the labels of Appalachia have been drawn and written, and also a reckoning with how a body always in recovery can, like a region viewed always as a site of extraction, find new territories of growth.
Southern Cultures
Southern Cultures Volume 20: Number 1 – Summer 2014 Table of Contents Front Porch by Jocelyn R. Neal "One of the challenges—and, simultaneously, deep pleasures—of studying the South is that the disciplinary walls of the academy neither contain nor constrain the work." Rewriting Elizabeth A Life Lost (and Found) in the Annals of Bryce Mental Hospital by Lindsay Byron "Her name was never to be spoken. Even upon the lips and within the hearts of her own children, remembrance was forbidden. Silence nearly erased her from history." Ghosts, Wreckers, and Rotten Ties The 1891 Train Wreck at Bostian's Bridge by Scott Huffard "When train number nine on the Western North Carolina Railroad tumble...
Unwhite
Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as "pure white stock" and as deeply impoverished and backward. Meredith McCarroll's Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what "rednecks" and "white trash" are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region...
Taking a Stand
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy...
Wallace’s Dialects
Mary Shapiro explores the use of regional and ethnic dialects in the works of David Foster Wallace, not just as a device used to add realism to dialogue, but as a vehicle for important social commentary about the role language plays in our daily lives, how we express personal identity, and how we navigate social relationships. Wallace's Dialects straddles the fields of linguistic criticism and folk linguistics, considering which linguistic variables of Jewish-American English, African-American English, Midwestern, Southern, and Boston regional dialects were salient enough for Wallace to represent, and how he showed the intersectionality of these with gender and social class. Wallace's own use of language is examined with respect to how it encodes his identity as a white, male, economically privileged Midwesterner, while also foregrounding characteristic and distinctive idiolect features that allowed him to connect to readers across implied social boundaries.
Terry Bradshaw
Terry Bradshaw made a name for himself as the star quarterback for the Pittsburgh Steelers, winning four Super Bowls and twice earning the MVP award. Beyond his athletic success, Bradshaw has established himself as a true cultural icon through his ventures into television, movies, and music. In Terry Bradshaw: From Super Bowl Champion to Television Personality, Brett L. Abrams details the many personas of this larger-than-life entertainer. Not satisfied with “just” being a star quarterback, Bradshaw became an actor, commercial pitchman, country western and gospel singer, color commentator, and NFL pregame co-host. In addition to covering Bradshaw’s life and career, Abrams discusses the...
Descanso for My Father
When his father died, Harrison Candelaria Fletcher wasn’t quite two. His mother packed up his father’s belongings, put the boxes in a hall closet, and closed the door. The “man in a box” remained a mystery, hardly mentioned, and making only rare appearances in stories when Fletcher or his siblings inquired. Meanwhile, his young Hispanic mother transformed herself into an artist, scouting the back roads and secondhand shops of New Mexico for relics and unlikely treasures to add to her “little shrines,” or descansos. “Look closely,” she’d say to her son. “Everything tells a story.” This book is Fletcher’s literary descanso, a piecing together—from moments and objects ...
Oklahomo
By exploring the scandal-filled lives of four Oklahomans, this book demonstrates how unqueering operates in a conservative American context. Carol Mason weaves a story about how homogenizing, antigay ideas evolve from generation to generation so that they achieve particular economic, imperial, racial, and gendered goals. Using engaging and accessible commentary on antigay crusaders (Sally Kern and Anita Bryant) and two queer teachers dismissed from their positions (Billy James Hargis and Bruce Goff), Mason illustrates how the lives of these figures represent paradigmatic moments in conservative confrontations with queers and help us to understand the conflation of terrorism with homosexuality, which dates back to the McCarthy era.
Shameless Sociology
In 2011, Showtime premiered Shameless, a comedy-drama about the audacious behaviors of the Gallaghers, a white, working-class family living in Chicago’s South Side. In 2020, the series headed into the production of its eleventh and final season, making it the longest-running original scripted program in Showtime’s history. Shameless explores topics such as poverty, alcoholism, teen pregnancy, and mental illness. The series has been credited with “reinventing working-class TV” and for humanizing groups that are typically “othered” or simply laughed at. However, others have critiqued the show for relying on and promoting stereotypes, and for the cavalier ways in which it portrays c...
