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Stanley Whitney
Since the mid-1970s, American painter Stanley Whitney has been exploring the formal possibilities of colour within grids of multi-coloured blocks. Matthew Jeffrey Abrams's thoughtful book, the first full monograph on the artist, highlights Whitney's unique and sophisticated understanding of line and colour and his commitment to abstract painting over four decades of consistent practice. Abrams brings together Whitney's personal and professional narratives to weave a chronological analysis of the work and the artist's wider cultural contribution. Born in Philadelphia in 1946, Whitney moved to New York in 1968, and under the guidance of Philip Guston he began to experiment with abstraction, drawn to the basic formal qualities of Abstract Expressionism, the pure chroma of the Color Field movement, and the minimalist approach of such artists as Donald Judd. Steadfastly pursuing abstraction at a time when critical interest was focussed on figurative art and photography, Whitney has not received the critical recognition due to him until late in his career. This book affirms his outstanding achievement.
Scars Left Behind
As a young fourteen-year-old African American five-month pregnant girl, I was nearly killed by my Mother. Scars were left behind when my Mother put me in the New York Foundling Hospital for pregnant young girls. I was pretty much on my own. I didnt have a Father figure growing up; because my daddy died the day before I turned four years old. I didnt have a Mother figure; because my mothers alcoholism led her to be abusive to her children, and the ones around her. My Mother didnt teach me about the facts of Life, and my brothers and sisters werent sibling figures; because they were older, and into themselves. Throughout my Trails and Tribulations in my Life, I left Scars behind from my peers ...
No Other Way
I made this amazing book for my class project in my English class. I poured alot of effort into it and I hope he enjoys it and I hope everyone will enjoy it as well.
Best Debut Short Stories 2020
The essential annual guide to the newest voices in short fiction, selected this year by Tracy O’Neill, Nafissa Thompson–Spires, and Deb Olin Unferth. Who are the most promising short story writers working today? Where do we look to discover the future stars of literary fiction? This book will offer a dozen compelling answers to these questions. The stories collected here represent the most recent winners of the PEN/Robert J. Dau Short Story Prize for Emerging Writers, which recognizes twelve writers who have made outstanding debuts in literary magazines in the previous year. They are chosen by a panel of distinguished judges, themselves innovators of the short story form: Tracy O’Neill, Nafissa Thompson–Spires, and Deb Olin Unferth. Each piece comes with an introduction by its original editors, whose commentaries provide valuable insight into what magazines are looking for in their submissions, and showcase the vital work they do to nurture literature’s newest voices.
German Foreign Policy, 1918-1945
Christoph Kimmich’s German Foreign Policy, 1918-1945: A Guide to Current Research and Resources is the most comprehensive guide to archival resources and published materials on the foreign policy of Weimar and Nazi Germany. It lists the archives, libraries, and research institutes, public and private, that hold important collections. While Kimmich’s survey emphasizes archives in Germany, it also covers archives in Europe and in the United States, describing their holdings, terms of access and use, and the guides and inventories available. German Foreign Policy, 1918-1945 also includes a substantial bibliography of published sources, from documentary series to significant contemporary acc...
Belgravia
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Contradiction Days
For readers of Rachel Cusk and Maggie Nelson, the rapturous memoir of a soon-to-be-mother whose obsession with the reclusive painter Agnes Martin threatens to upend her life Five months pregnant and struggling with a creative block, JoAnna Novak becomes obsessed with the enigmatic abstract expressionist painter Agnes Martin. She is drawn to the contradictions in Martin’s life as well as her art—the soft and exacting brushstrokes she employs for grid-like compositions that are both rigid and dreamy. But what most calls to JoAnna is Martin’s dedication to her work in the face of paranoid schizophrenia. Uneasy with the changes her pregnant body is undergoing, JoAnna relapses into damaging...
