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Provides students of American Literature with introductory critical guides to the great works of American fiction.
Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald's major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner's Sons brought out an edition that incorporated Fitzgerald's changes. Controversy arose over the merits of the two published versions and over the "nine lost years" in Fitzgerald's life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.
A work that corrects many of the enduring myths, contains more facts than any previous biography, and has been acclaimed as definitive and masterful.
This pictorial autobiography of Scott and Zelda Fitzgerald documents two lives that have become legendary. The book draws almost entirely from the scrapbooks and photograph albums that the Fitzgeralds scrupulously kept as their personal record and provides a wealth of illustrative material not previously available. Minnesota; a photograph of the country club in Montgomery, Alabama, where the two met; reviews of This Side of Paradise; poems to the couple from Ring Lardner; snapshots of their trips abroad; Fitzgerald's careful accounting of his earnings; a photograph of the house on Long Island where The Great Gatsby was conceived; postcards with Fitzgerald's drawings for his daughter. These rare photographs and memorabilia combine into a narrative augmented by selections from Scott's and Zelda's own writings, conveying the spirit of particuular moments in their lives.
The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.
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Examines the life and writing of nineteenth-century American author F. Scott Fitzgerald, featuring information about the major events that took place during his life, and providing insight into the experiences that may have influenced his subject matter and writing style.
The author delves into the mystery of why a Pulitzer Prize-winning author, whose mature novels were both well reviewed and widely read, disappeared so rapidly from critical and popular notice. He considers his subject one of the major novelists of the twentieth century, certain that in the eyes of history Cozzens will be seen as the consummately skilled, uniquely American, brilliantly creative writer that this prodigiously researched biography vividly and convincingly portrays.--Provided by publisher.
A tribute to a man whose life's work has centered on the study of authorship and who is a scholar and book collector of the first magnitude, The Professions of Authorship examines the business of writing, publishing, and selling books - or what George V. Higgins describes in this volume as a "perplexing, disorganized, chameleonic enterprise". Twenty-three authors, publishing professionals, and scholars who share Matthew J. Bruccoli's love and knowledge of books offer candid observations and opinions about the past, present, and future of publishing. In doing so, they unravel many of the mysteries surrounding this tradition-bound endeavor.
A collection of short stories and other miscellaneous writings by Joseph Heller, one of America’s most influential and idiosyncratic writers. Years before the publication of Catch-22—which was called “a monumental artifact of contemporary literature” by The New York Times, “an apocalyptic masterpiece” by the Chicago Sun-Times, and “one of the most bitterly funny works in the language” by The New Republic—Joseph Heller began sharpening his skills as a writer, searching for the voice that would best express his own peculiarly wry view of the world. In Catch As Catch Can, editors Matthew J. Bruccoli and Park Bucker have for the first time collected the short stories Heller pub...