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In "Abandoned America: Dismantling the Dream", internationally acclaimed photographer Matthew Christopher continues his examination of the ruins dotting American cities as quiet catastrophes that have affected not only the nation's past but also its present and future.--Matthew Christopher
When We Were Fifty follows the rhymes and rhythms of the great A. A. Milne, to remind those who are getting on in years of the wit, wisdom and whimsy he conjured up for those who were very young.
Originally intended as an examination of the rise and fall of the state hospital system, Matthew Christopher's Abandoned America rapidly grew to encompass derelict factories and industrial sites, schools, churches, power plants, hospitals, prisons, military installations, hotels, resorts, homes, and more.
When Christopher Matthew was six, the poems of Milne always reassured him that other children were as naughty as he was, so on reaching sixty he decided that he should adapt Now We Are Six, for an older audience. Now We Are Sixty is often hilarious, sometimes rueful and always thought-provoking. Some verses are about realising we are not as young as we thought, while some are about the more disconcerting problems of modern life; mobile telephones on trains, anti-social behaviour, traffic jams and the internet.
A “practical and thought provoking” study of the ancient military tactic known as the phalanx—the classic battle formation used in historic Greek warfare (The Historian). In ancient Greece, warfare was a fact of life, with every city brandishing its own fighting force. And the backbone of these classical Greek armies was the phalanx of heavily armored spearmen, or hoplites. These were the soldiers that defied the might of Persia at Marathon, Thermopylae and Plataea and—more often than not—fought each other in countless battles between the Greek city-states. For centuries they were the dominant soldiers of the classical world, in great demand as mercenaries throughout the Mediterran...
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The Civil War tends to be remembered as a vast sequence of battles, with a turning point at Gettysburg and a culmination at Appomattox. But in the guerrilla theater, the conflict was a vast sequence of home invasions, local traumas, and social degeneration that did not necessarily end in 1865. This book chronicles the history of "guerrilla memory," the collision of the Civil War memory "industry" with the somber realities of irregular warfare in the borderlands of Missouri and Kansas. In the first accounting of its kind, Matthew Christopher Hulbert's book analyzes the cultural politics behind how Americans have remembered, misremembered, and re-remembered guerrilla warfare in political rhetoric, historical scholarship, literature, and film and at reunions and on the stage. By probing how memories of the guerrilla war were intentionally designed, created, silenced, updated, and even destroyed, Hulbert ultimately reveals a continent-wide story in which Confederate bushwhackers-pariahs of the eastern struggle over slavery-were transformed into the vanguards of American imperialism in the West.
Alumni record as of date of last alumni directory,2011, categorized in 125 career categories; individual biographical information on around350 alumni whose stories have been told in the past alumni magazine or other University /College publications