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Real Money and Romanticism
Modern systems of paper money and intellectual property became established in the Romantic period. Matthew Rowlinson shows how a new conception of material artefacts as the bearers of abstract value shaped Romantic conceptions of character, material culture and labour.
Tennyson's Fixations
Conflating deconstructive theory with psychoanalysis, Rowlinson (English, Dartmouth College) proposes an analytic formalism as the appropriate model for reading Tennyson, and demonstrates the utility of the approach with close readings of fragments and poems written from 1824 to 1833, focusing on the nature of place the structuring of desire. Annotation copyright by Book News, Inc., Portland, OR
Biopolitics and Animal Species in Nineteenth Century Literature and Science
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
In Memoriam
Published in 1850, In Memoriam won its author the Poet Laureateship of Britain and received widespread attention from critics and reviewers, as well as from ordinary readers. The poem was written in memory of Tennyson’s close friend Arthur Henry Hallam, who died suddenly in 1833; it became an unofficial devotional manual for mourners, including Queen Victoria after the death of Prince Albert. The poem’s scope goes beyond individual grief, however, to the development and extinction of species, audaciously exploring history, evolution, and God’s relationship with humanity. Its formal beauty and emotional resonance make In Memoriam as compelling today as it was for nineteenth-century readers. Matthew Rowlinson’s introduction traces the poem’s composition history and places it in the context of Tennyson’s personal and intellectual development. Historical appendices include writings by Arthur Hallam, Victorian fiction on courtship and marriage, and materials on natural history and evolution.
In Memoriam
Published in 1850, In Memoriam won its author the Poet Laureateship of Britain and received widespread attention from critics and reviewers, as well as from ordinary readers. The poem was written in memory of Tennyson’s close friend Arthur Henry Hallam, who died suddenly in 1833; it became an unofficial devotional manual for mourners, including Queen Victoria after the death of Prince Albert. The poem’s scope goes beyond individual grief, however, to the development and extinction of species, audaciously exploring history, evolution, and God’s relationship with humanity. Its formal beauty and emotional resonance make In Memoriam as compelling today as it was for nineteenth-century readers. Matthew Rowlinson’s introduction traces the poem’s composition history and places it in the context of Tennyson’s personal and intellectual development. Historical appendices include writings by Arthur Hallam, Victorian fiction on courtship and marriage, and materials on natural history and evolution.
Tennyson
Alternative approaches have emerged which have radically altered our understanding of Tennyson's poetry and his relationship to the Victorian age. This text covers the most significant areas of new work on Tennyson, effectively linking feminist and gender studies with deconstructive, psychoanalytic and linguistic attention. The Introduction discusses ways in which orthodox critical approaches have dominated readings of Tennyson's poetry and provides a critical overview of the radical reappraisal of his work. It also provides a guide to the varied ways in which these new debates have shaped and are shaping themselves, with a final discussion of the future directions which Tennyson criticism is likely to take. The essays chosen cover and reflect a range of modes of critical enquiry compelling in themselves.
Underwater Worlds
Underwater Worlds throws open a new area in the emerging field of “blue” environmental humanities by exploring how subaqueous environments have been imagined and represented across cultures and media. The collection pursues this theme through various disciplinary perspectives and methodologies, including history, literary and film criticism, myth studies, legal studies and the history of art. The essays suggest that, since the nineteenth century, technologies of underwater exploration have generated novel sensory experiences that have destabilized conventional modes of representation and influenced new aesthetic forms from fiction and television to virtual reality. The collection also examines how representations of underwater environments have reflected and critiqued humans’ relationships with marine ecology and life-forms. It reflects on the deeper cultural and symbolic resonances of mythical figures such as mermaids, sea monsters and the ghosts of drowned seafarers. The contributions further reveal myriad political, ideological, gendered and racial dimensions of representing underwater environments.
Romantic Childhood, Romantic Heirs
This book views Romantic literature’s discourses of childhood, education, and reproduction through the eyes of four early nineteenth-century British authors who were uniquely implicated in those discourses. Hartley and Sara Coleridge, children of Samuel Taylor Coleridge, and Mary Wollstonecraft Shelley and William Godwin Jr, children of William Godwin, shared the predicament of being both ‘real’ and ‘literary’ children. All the children of authors who helped shape culturally-definitive Romantic-period ideas about childhood, they wrote back to their fathers in order to understand and to resist the ways in which they were produced by paternal texts which foreclose the possibility of the child’s own regeneration. This study proposes that through this predicament, and their responses to it, the literature of the period between the Romantic and the Victorian periods comes into focus, marked by an anxiety not of influence, but of reproduction. It suggests that one reason why this period has tended to disappear from view lies in the sense of historical and aesthetic difference, and productive failure, which this study uncovers.
Evolution and Victorian Musical Culture
Explores the musical background to Darwinism and the development of the relationship between science and the arts in Victorian Britain.
The Political Poetess
The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"—one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget th...
