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From Sea Level to C Level is written through the eyes of a former Navy fighter pilot who turns his Naval experience into a hugely successful career, first in corporate America, then as a thriving entrepreneur. The book draws upon the Navy's unparalleled approach to planning, execution, strategy, and leadership and offers a completely unique and proprietary set of tools that men and women in any profession can use to drive their careers to new heights. After 15 years and 44 combat sorties in the cockpit of F/A-18 Hornet, E. Matthew Buckley - call sign: Whiz - was preparing for a career with American Airlines when the 9/11 attacks on the World Trade Center changed the trajectory of both his ca...
Dirge for an Imaginary World from Matthew Buckley Smith is the winner of the 2011 Able Muse Book Award, selected by Andrew Hudgins. These are poems of breathtaking craftsmanship that find inspiration in the simplicity of the quotidian, or the perplexity of the grand. Smith is equally at ease musing about Neanderthals or God as he is with a ballet exam or highway medians. These poems of personal and universal introspection are filled with grace, and sparkle with abundant intelligence and wit. This masterful debut collection is an event to celebrate. PRAISE FOR DIRGE FOR AN IMAGINARY WORLD: Wildness and precision and passion balanced with wit—there are the hallmarks of Matthew Buckley Smithâ...
Eros and Death are the two central drives and compulsions of the human psyche, and their dynamic interconnectedness has been pervasive in the formation of Western thought and culture. The essays brought together in this collection offer new perspectives on the eros/death relation in a wide selection of dramatic texts, theatrical practices and cultural performances. Topics explored range from Greek tragedy, Shakespearean theatre, the work of Georg BĂĽchner, Bertolt Brecht, the kiss of death in opera, the theatricality of Parisian culture, to the performance of conjuring, contemporary Britis.
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that th...
The first study of French theater and war at a time of global revolutions, colonial violence, and radical social transformation.
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
A gazetteer of the many fine Shropshire country houses, which covers the architecture, the owners' family history, and the social and economic circumstances that affected them.Shropshire is the largest English inland county, and has a wide variety of important landed country houses, with owners from diverse social groups, with links to trade in Liverpool, Manchester and London as well as the local gentry. This book is not simply about the houses they built, but also about the people who lived in them and the context in which the houses are set. The architecture is of course fully covered. What is distinctive about the author's approach is that he treats the histories of the families, their a...
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.