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Morocco
Poetry. Here is a book, a low-slung bulb lighting a tall dark room, a book big enough to question and small enough to love. Written in treaty by Matthew Savoca and Kendra Grant Malone, here is a book of time and together and lonely and wanting. Knife-words edges out, lines bursting and splitting the table long, get to know MOROCCO. It already knows you. These poems are naked and bright, speaking from a tall dark room to all the spaces in between. A love poem, yes. A camera readied, yes. Pictures worth a thousand words ground down to dust, MOROCCO comes together now. "I took two sleeping pills at midnight and opened up MOROCCO. It's 3:19."—Giancarlo DiTrapano
Long Love Poem with Descriptive Title
"Long love poem with descriptive title is a full-length poetry book consisting of one long poem accompanied by little drawings of plants, animals, and a lamp. an un-named famous musician (has a record review on pitchfork.com) said this to me in an email about this book: " ... I especially like your dialogue. You reign all the sadness of the world into short, simple, and sweet phrases that somehow tame all the chaos of corpses leaking into the water pipes ..."--Matthew Savoca.
I Don't Know I Said
Fiction. Arthur and Carolina are young and in love. When Carolina is involved in a car accident, she receives $80,000—enough to send them on the road to explore their lives and love. As they travel America, they try to figure out what to do with themselves, and what they will do in the meantime. And what does it mean if they don't know? For a story of wandering and waiting, this is a book with tremendous impact. Told in quick chapters with breathtaking, often hilarious prose, I DON'T KNOW I SAID is a novel that follows in the footsteps of Hemingway's The Sun Also Rises and Sheila Heti's more recent How Should a Person Be?
NANO Fiction Volume 2 Number 2
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Edgar Omar Avilés, Ken Baumann, Mark Blickley, Randall Brown,Blake Butler, Kim Chinquee, Rebecca Cross, Ryan Dilbert, Jenny Ferguson, Brian Foley, Jeff Foster, David Galef, Katherine Grosjean, Annalynn Hammond, Steve Himmer, Jamie Iredell, Toshiya Kamei, Sean Kilpatrick, J.T. Ledbetter, Kendra Grant Malone, Devin Murphy, Josh Olsen, Anthony Opal, Matthew Savoca, Peter Schwartz, Daniel Spinks, Bob Thurber, James R. Tomlinson, Raymond Uhlir, and Thad DeVassie.
Thicker Than Water
Much of what you’ve heard about plastic pollution may be wrong. Instead of a great island of trash, the infamous Great Pacific Garbage Patch is made up of manmade debris spread over hundreds of miles of sea—more like a soup than a floating garbage dump. Recycling is more complicated than we were taught: less than nine percent of the plastic we create is reused, and the majority ends up in the ocean. And plastic pollution isn’t confined to the open ocean: it’s in much of the air we breathe and the food we eat. In Thicker Than Water: The Quest for Solutions to the Plastic Crisis, journalist Erica Cirino brings readers on a globe-hopping journey to meet the scientists and activists tell...
Here Are My People
"Beginning in the late 1960s and throughout the 1970s, a new generation of LGBT students in California began to organize publicly on college and university campuses, inspired by contemporaneous social movements and informed by California's rich history of LGBT community formation and political engagement. Here Are My People documents how a trailblazing group of queer student activists in California made their mark on the history of the modern LGBTQ movement and paved the way for generations of organizers who followed. Rooted in extensive archival research and original oral histories, Here Are My People explores how this organizing unfolded, comparing different regions, types of campuses, and...
Secret Worlds
How do animals experience the world? Many animals experience a world far richer than ours, in sight, sound, and smell, and interact with each other in ways humans simply do not pick up, and which continue to surprise researchers. This book explores not only the wonder of animal senses, but how they work and how scientists go about investigating them. And, throughout, it considers how these senses came to be: the book explains that evolution is at the root of it all. Senses arose to enable animals to catch prey, to hide, and to mate more effectively, usually honed through fierce competition and arms races with predators. The result, over millions of years, is a wondrous panoply of ways of experiencing the world, against which our own senses often pale into insignificance.
Art's Realism in the Post-Truth Era
Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
