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American Environmental Fiction, 1782–1847
While Ralph Waldo Emerson and Henry David Thoreau are often credited with inventing American environmental writing, Matthew Wynn Sivils argues that the works of these Transcendentalists must be placed within a larger literary tradition that has its origins in early Republic natural histories, Indian captivity narratives, Gothic novels, and juvenile literature. Authors such as William Bartram, Ann Eliza Bleecker, and Samuel Griswold Goodrich, to name just a few, enabled the development of a credibly American brand of proto-environmental fiction. Sivils argues that these seeds of environmental literature would come to fruition in James Fenimore Cooper’s The Pioneers, which he argues is the f...
Sir Rohans Ghost. A Romance
Originally published in 1860, the formative Gothic novel ‘Sir Rohan’s Ghost’ by Harriet Prescott Spofford (1835–1921), one of nineteenth-century America’s most significant woman writers, relates the tale of a tormented British aristocrat who struggles to retain his sanity while suffering horrifying visitations from the spectre of his dead lover amid the agonies of an already fragile mind. Setting her tale in the enigmatic Sir Rohan’s beautiful-yet-decaying estate, Spofford immerses readers in a ghost story that marries lush imagery with an atmosphere of impending, mysterious doom. Upon its initial publication, a reviewer writing for ‘The Baltimore Sun’ deemed ‘Sir Rohan’s Ghost’ as ‘a strange, weird production, fascinating and exciting [...] A work of genius and not without moral significance’. Dating from a time when women writers like Spofford were increasingly making their voices heard by reshaping the character of popular American literature, ‘Sir Rohan’s Ghost’ remains to this day an engaging and important work of Gothic fiction.
Lost Creeks
Lost Creeks collects for the first time all the journals and shorter autobiographical works of noted Muscogee (Creek) writer, humorist, and political activist Alexander Posey (1873 1908). In his brief but productive life Posey became an influential political spokesperson, man of letters, and advocate for better conditions in Indian Territory. Posey s journals reveal much about his turbulent but noteworthy political career, his personal aspirations and challenges, and the creative process behind not only his poetry and short stories but also his famed Fus Fixico letters. Drawing on extensive archival research, Matthew Wynn Sivils produces a carefully annotated edition of the journals and also provides abundant contextual information. This volume enriches and personalizes the legacy of this remarkable Native writer and provides new insight into the beginnings of twentieth-century Native intellectual, political, and literary movements and traditions.
Ecogothic in Nineteenth-Century American Literature
First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
Song of the Oktahutche
Muscogee (Creek) writer and humorist Alexander Posey (1873–1908) lived most of his short but productive life in the Muscogee Nation, in what is now Oklahoma. He was an influential political spokesperson, an advocate for improving conditions in Indian Territory, and one of the most prominent American Indian literary figures of his era. One of Posey’s dearest subjects was the Oktahutche River, which he so loved that he gave it voice in his poem, “Song of the Oktahutche.” His poetry, drawing from Romantic European and Euro-American influences such as Robert Burns and John Greenleaf Whittier, became a sort of Indian Territory pastoral in which the Greek nymph Echo shares a river with Ste...
The Forest and the EcoGothic
This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic ...
Of Wilderness and Wolves
"Tracing his own relationship with wolves from his rural South Dakota upbringing through his formative years as a professional trapper to his landmark work as an internationally renowned wildlife biologist, Errington delves into our irrational fear of wolves. He forthrightly criticizes what he views as humanity's prejudice against an animal that continues to serve as the very emblem of the wilderness we claim to love, but that too often falls prey to our greed and ignorance. A friend of Aldo Leopold, Errington was an important figure in the conservation efforts in the first half of the twentieth century. During his lifetime, wolves were considered vicious, wantonly destructive predators; by the mid-1900s, they had been almost completely eliminated from the lower forty-eight states. Their reintroduction to their historical range today remains controversial."--Publisher's description.
American Environmental Fiction, 1782-1847
While Ralph Waldo Emerson and Henry David Thoreau are often credited with inventing American environmental writing, Matthew Wynn Sivils argues that the works of these Transcendentalists must be placed within a larger literary tradition that has its origins in early Republic natural histories, Indian captivity narratives, Gothic novels, and juvenile literature. Authors such as William Bartram, Ann Eliza Bleecker, and Samuel Griswold Goodrich, to name just a few, enabled the development of a credibly American brand of proto-environmental fiction. Sivils argues that these seeds of environmental literature would come to fruition in James Fenimore Cooper’s The Pioneers, which he argues is the f...
Religious Horror and the Ecogothic
Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.
