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In the Name of Elijah Muhammad
In the Name of Elijah Muhammad tells the story of the Nation of Islam—its rise in northern inner-city ghettos during the Great Depression through its decline following the death of Elijah Muhammad in 1975 to its rejuvenation under the leadership of Louis Farrakhan. Mattias Gardell sets this story within the context of African American social history, the legacy of black nationalism, and the long but hidden Islamic presence in North America. He presents with insight and balance a detailed view of one of the most controversial yet least explored organizations in the United States—and its current leader. Beginning with Master Farad Muhammad, believed to be God in Person, Gardell examines th...
Gods of the Blood
Racist paganism is a thriving but understudied element of the American religious and cultural landscape. Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development o...
Islamofobi
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Five Percenter Rap
Hip-hop evangelism--a compelling look at a rap subgroup that explores its musical, social, and political contexts.
The Cultic Milieu
In 1999, a seemingly incongruous collection of protestors converged in Seattle to shut down the meetings of the World Trade Organization. Union leaders, environmentalists dressed as endangered turtles, mainstream Christian clergy, violence-advocating anarchists, gay and lesbian activists, and many other diverse groups came together to protest what they saw as the unfair power of a nondemocratic elite. But how did such strange bedfellows come together? And can their unity continue? In 1972--another period of social upheaval--sociologist Colin Campbell posited a "cultic milieu": An underground region where true seekers test hidden, forgotten, and forbidden knowledge. Ideas and allegiances with...
The Enemy of My Enemy
In the violent world of radical extremists, "the enemy of my enemy is my friend." This study reveals how that precept plays out in the unexpected bonding between militant Islam and the extreme right in America and Europe. It provides an insightful and sane look at the possibilities for collaboration between these groups.
Lone Wolf Race Warriors and White Genocide
When Brenton Tarrant live-streamed his massacre of fifty-one Muslims in Christchurch, New Zealand, in March 2019, he was but one in a series of lone-acting white men committing violent crime to further the radical white nationalist aim to save the white race from extinction and establish a white ethnostate. From where did white nationalists get the notion of an ongoing white genocide? Why should 'resistance' against a perceived invasion of 'white' territory be launched by individual 'lone wolves' massacring noncombatants they have no prior relation to? How could slaughtering children be construed as a heroic act that a perpetrator wants to broadcast to the world? Based on a unique collection of interviews with lone wolves, their victims, and their supporters, and a close reading of lone wolf, fascist, and radical nationalist material and communication, this Element provides solid answers to these and adjacent questions of importance.
Epic Encounters
Examines how popular culture has shaped the ways Americans define their "interests" in the Middle East. Author McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This book skillfully weaves readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history.--From publisher description.
Mediating the Real
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.
Islamic Impostors
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