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Maudie Palmer
  • Language: en

Maudie Palmer

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Encounters with Australian Modern Art
  • Language: en

Encounters with Australian Modern Art

Encounters with Australian Modern Art represents a vital milestone in the presentation of Australian art to a world-wide readership. It is published in French and English, and lavishly illustrated with more than 200 iconic images, many drawn from the collection of the TarraWarra museum of Art. Maudie Palmer, Director of the Museum and Editor of the book, devised its concept and selected the authors. They, like herself and the Besen's, have witnessed first-hand the development of Australian Modernism during the second half of the twentieth century when the careers of its leading artist practitioners were firmly established. During those decades, many of these became acknowledged national iden...

Palmer, Maudie
  • Language: en

Palmer, Maudie

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Heide Park and Art Gallery
  • Language: en
  • Pages: 56

Heide Park and Art Gallery

  • Type: Book
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  • Published: 1981-01-01
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  • Publisher: Unknown

None

Tales from the Cancer Ward
  • Language: en
  • Pages: 146

Tales from the Cancer Ward

'At a certain point in illness care is the only thing we have. Care for those we love, care for ourselves.' Roger Ebert, US film critic and screen writer. 'To be vulnerable is to live.' In Tales from the Cancer Ward renowned filmmaker Paul Cox celebrates the beauty and fragility of life. The unexpected message of illness that he is delivered leaves him feeling utterly alone and with no alternative but to confront his own mortality, to question the separation of the spirit and the body, and to navigate what is truly essential in this world. As John Larkin writes in his introduction, Paul Cox's story 'demonstrates the resilience of the human body and spirit, the power of positive thought over ...

George Baldessin
  • Language: en
  • Pages: 20

George Baldessin

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

Summary: Catalog of exhibition 5 March-14 Apr. 1991; notes by Harriet Edquist; pref. by Maudie Palmer.

The Secret Love Letters
  • Language: en
  • Pages: 356

The Secret Love Letters

In The Secret Love Letters: A Family History, the author delves into the history of her Spanish ancestors, the once-illustrious San Miguels, and uncovers the forbidden love affair that tore the family apart. Fay Johnston told her daughter of a collection of letters she had kept hidden away for over 60 years, promising to show them to her when the time was right. It was only after her mother died that Dolores found the letters, concealed beneath a large piece of wood deep within a storage cupboard. Through endless research and close analysis, Dolores pieced together nearly a hundred letters, newspaper ads, doctors' notes, and postcards to unravel the story of her parents' romance, kept secret for over two decades. Dolores San Miguel, acclaimed author of The Ballroom: The Melbourne Punk and Post-punk Scene delivers a luminous, tightly woven account that places her own family saga in the wider context of early European immigration to Australia, as well as offering a fascinating glimpse into Melbourne life in the lead-up to World War 2.

Stephen Haley
  • Language: en

Stephen Haley

  • Type: Book
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  • Published: 2017
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  • Publisher: Unknown

None

Master of Stillness
  • Language: en
  • Pages: 146

Master of Stillness

  • Categories: Art

Jeffrey Smart's vision, which has altered the way we see the technologies of change that impel us through the fabric of time, curiously searches for an elusive stillness that lies at the heart of it, and may be seen in Master of Stillness, and appreciated with a selection of many of his most important masterpieces.

What's Wrong with Contemporary Art?
  • Language: en
  • Pages: 190

What's Wrong with Contemporary Art?

  • Categories: Art
  • Type: Book
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  • Published: 2004
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  • Publisher: UNSW Press

The "packing, promotion and reception" of contemporary art troubles Peter Timms. Market demands dominate and art has been corrupted and trivialized. The problem, he argues, extends to the way art is taught in art schools, the art that artists make, the collecting and curatorial methodologies of galleries and museums, funding criteria, the way that art is written about and the media's depiction of art.