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Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in re...
A 2023 Choice Reviews Outstanding Academic Title This book addresses the ways in which Charlotte, Emily, and Anne Brontë took advantage of the rapid change of their time unleashed by the Industrial Revolution in order to illustrate the inequalities women faced in the Victorian Age. It historically contextualizes all seven novels, Jane Eyre, Wuthering Heights, Agnes Grey, The Tenant of Wildfell Hall, Shirley, Villette, and The Professor, in order to investigate the themes of marriage, education, class, and work. Specifically, the author examines the ways the Brontë sisters decenter marriage, call for equality in education, expose the inherent dignity of humans despite class differences, and demonstrate the ways in which increased work opportunities empowered women. Ultimately, the author argues that the Brontë sisters’ call for female empowerment was symptomatic of the age, and one that is realized in the latter half of the Victorian Age and beyond.
Vincent is born and raised in the slums of Manhattan, New York City. At an early age, he becomes a well-known dancer and a Child Pioneer of TV. After an accident, which causes him to stop dancing, he becomes bold and mischievous and embarks upon a whirlwind series of daring adventures. Young Vinny questions authority, steals from his mother's favorite store, and learns how to hustle the streets. Along the way, Vinny learns how to deal with sexual situations and he comes to terms with the choices life has offered him.
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Rather than focus on the attraction exerted by the Mediterranean South on Northerners in search of health, pleasure, leisure and culture, the contributors to this book choose to bring out its less enticing aspects and the repugnance these induced in northern Europeans over four centuries, through a series of sixteen essays covering a geographical area stretching from Portugal to Turkey and Lebanon, from the Balkans to Egypt, and embracing several cultures, two religious faiths and very diverse populations. Most of them were read at an international conference held in Nice in April 2012, and were substantially revised for publication in this volume. All contributions centre around the manner ...
Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
A raw and honest autobiography covering the effects of a whistleblower in the cable television industry.
Focuses on "the public policy and financial implications of having two different sets of security standards for leasehold acquisitions undertaken by the General Services Administration in urban and suburban-based space procurements. To determine the appropriate security countermeasures to employ in a given space lease procurement, GSA and its civilian client agencies follow a standard promulgated by the Interagency Security Committee (ISC) ... To determine the appropriate security countermeasures to employ in a given space lease procurement for any Department of Defense (DOD) space requirement, GSA adheres to a standard promulgated by DOD, known as the Unified Facilities Criteria (UFC) DoD Minimum Antiterrorism Standards for Buildings ... The Committee is concerned that application of these two disparate security standards will give rise to two distinctly different classes of protected Federal employees: those Federal employees who work for the DOD, and those employees who do not."--P. vi-viii.