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A Child born with albinism hears her mother lovingly speak the words, "Mirror, mirror reflecting from the wall, I am seeing the fairest child of all. Smiling warmly like the rays of the sun, you bring much happiness to everyone." The child falls asleep feeling a true sense of security. She dreams of magnificent pale creatures like herself and contentedly sees herself playing amongst her fair-haired friends. The reader feels her child-like innocence as she is later approached by a bully. She appears fearful but not defeated. There is no tolerance for this inappropriate behavior as "The creatures form a circle to protect these fair children from any disrespect." She awakens and shares her dream with her mother and is compassionately reminded of her unique beauty. "Be proud of who you are, let your love shine and hold your head up high fair child of mine." This book was inspired by the author's personal experiences and her strong desire to write a book for children with albinism and their families, as well as for all children. My Fair Child gently speaks to our hearts as it is reminiscent of a child's innocence and the infinite beauty of human diversity.
Describes the Olympic Games held in Atlanta, Georgia during the summer of 1996 including a summary of the results of all the sports and the participants.
WINNER OF THE BAILEYS' WOMEN'S PRIZE FOR FICTION 2016 WINNER OF THE DESMOND ELLIOT PRIZE 2016 We all do stupid things when we're kids. Ryan Cusack's grown up faster than most - being the oldest of six with a dead mum and an alcoholic dad will do that for you. And nobody says Ryan's stupid. Not even behind his back. It's the people around him who are the problem. The gangland boss using his dad as a 'cleaner'. The neighbour who says she's trying to help but maybe wants something more than that. The prostitute searching for the man she never knew she'd miss until he disappeared without trace one night . . . The only one on Ryan's side is his girlfriend Karine. If he blows that, he's all alone. But the truth is, you don't know your own strength till you need it.
A shocking double-murder scene greets Detective Inspector Philip Brennan when he is called to a flat in Colchester. Two women are viciously cut open and laying spreadeagled, one tied to the bed, one on the floor. The woman on the bed has had her stomach cut into and her unborn child is missing. But this is the third time Phil and his team have seen such an atrocity. Two other pregnant women have been killed in this way and their babies taken from them. No-one can imagine what sort of person would want to commit such evil acts. When psychologist Marina Esposito is brought in, Phil has to put aside his feelings about their shared past and get on with the job. But can they find the killer before another woman is targeted?
Canadian-born and now New South Wales-based, Flossie Peitsch is both a noted visual artist and a mother of six. She is also an active community artist who has involved her family and hundreds of others in major art projects relating to Australia's history and current ways of life. Using performance and installation art techniques, as well as traditional painting and drawing - and also women's crafts of embroidery, tapestry and knitting - Flossie loses few opportunities to engage the imagination and creativity of those involved in the projects and also those who witness them. This is an intriguing and richly illustrated book focused on an extraordinarily vibrant and effective Australian artist who operates slightly outside the mainstream.
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A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and longtime Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still—and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.