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"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
This book explores the "invention" of specific breeds of horse in the context of imperial design and colonial trade routes. Divided into two sections, it deals respectively with the introduction, invention, and use of the horse in the Philippines, Thailand, and southern Africa, as well as examining its roots and evolution within Indonesia. The study is supplemented by a discussion of the colonial trade in horses within the Indian Ocean and by introductory and concluding sections that discuss the historiographical and methodological problems associated with writing a more species- or horse-centric history.
Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement. Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Painting...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
This volume studies the fascinating millenarian background to the early Rosicrucian pamphlets with special emphasis on their reception in the Baltic area, but also with reference to the original authors in Tubingen.
These biographies of Canadians are arranged chronologically by date of death. Entries in each volume are listed alphabetically, with bibliographies of source material and an index to names.
This study provides a compelling account of the major works of Henri de Lubac, one of the most influential theologians of the twentieth century, and argues that soteriology provides a lens through which their inner unity can be discerned. The writings of Henri de Lubac have left an indelible mark on Catholic theology, preparing the ground for, giving shape to, and explaining the seminal event of twentieth-century Catholicism: the Second Vatican Council. Like the Council itself, though, de Lubac remains a contested figure, difficult to classify. Salvation in Henri de Lubac presents an overview of de Lubac’s major works in light of his own statements that a mystical vision animated them all....