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The Jurist ..
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Critical Readings in Impressionism and Post-Impressionism
The essays in this wide-ranging text capture the theoretical range and scholarly rigor of criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art.
Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde
Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement. Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Painting...
A World Full of Women
Takes a cross-cultural approach to the study of women A World Full of Women, 6/e, combines descriptive ethnography, gender theory, and international statistics to present a comprehensive picture of the lives of women. Readers will better comprehend and contextualize women’s issues and experiences in today’s world. This title explores the diversity of women’s lives from class to culture, with examples ranging from women’s work to marriage patterns, health issues, violence against women, and grassroots organizing.
