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Untitled and unpunctuated, the seventy poems in this acclaimed collection seem to cascade from one page to another. Maurice Manning extolls the virtues of nature and its many gifts, and finds deep gratitude for the mysterious hand that created it all. that bare branch that branch made black by the rain the silver raindrop hanging from the black branch Boss I like that black branch I like that shiny raindrop Boss tell me if I’m wrong but it makes me think you’re looking right at me now isn’t that a lark for me to think you look that way upside down like a tree frog Boss I’m not surprised at all I wouldn’t doubt it for a minute you’re always up to something I’ll say one thing you’re all right all right you are even when you’re hanging Boss
The Common Man, Maurice Manning’s fourth collection, is a series of ballad-like narratives, set down in loose, unrhymed iambic tetrameter, that honors the strange beauty of the Kentucky mountain country he knew as a child, as well as the idiosyncratic adventures and personalities of the oldtimers who were his neighbors, friends, and family. Playing off the book’s title, Manning demonstrates that no one is common or simple. Instead, he creates a detailed, complex, and poignant portrait—by turns serious and hilarious, philosophical and speculative, but ultimately tragic—of a fast-disappearing aspect of American culture. The Common Man’s accessibility and its enthusiastic and sincere charms make it the perfect antidote to the glib ironies that characterize much contemporary American verse. It will also help to strengthen Manning’s reputation as one of his generation’s most important and original voices.
Railsplitter, the seventh collection from Pulitzer Prize Finalist and Guggenheim Fellow Maurice Manning, envisions the role of poetry in the life of Abraham Lincoln. Manning, who writes each piece in Lincoln’s persona, provides a lasting reflection on how poetry guided and shaped the President’s mind while leading a divided nation. Equal parts prophetic and rich in both rural folklore and literary allusions—from Shakespeare, to Whitman, to Poe, to the comedic—Railsplitter transcends the darkness of Lincoln’s time, to imagine a new lore entirely—one comprised of buzzard feather quills, horse treats in a top hat, and finally, a fateful bullet. Lincoln, who was born nearby to Maurice Manning’s childhood home in Kentucky, is alive again, in new form.
With The Gone and the Going Way, Pulitzer finalist Maurice Manning returns us to the beloved and lamented lives and landscape of the hill people of his native Kentucky.
This collection of highly original narrative poems is written in the voice of frontiersman Daniel Boone and captures all the beauty and struggle of nascent America. We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever been did not require a name. It seemed to be a gathering place for the lint of the world. The bottom of a hollow beneath two ridges, sunk like a stone. The water was surely old, the dregs of some ancient sea, but purified by time, like a man made better by his years, his old hurts absorbed into his soul, his losses like a spring in his breast. -from "Born Again"
This year's winner of the Yale Series of Younger Poets competition is Maurice Manning's Lawrence Booth's Book of Visions. These compelling poems take us on a wild ride through the life of a man-child in the rural South. Presenting a cast of allegorical, yet very real, characters, the poems have authority, daring, and a language of colour and sure movement, says series judge W.S. Merwin. Maurice Manning is a native of Danville, Kentucky. He holds degrees from Earlham College, the University of Kentucky, and the University of Alabama, where he received his MFA in 1999. He has held a writing fellowship to The Fine Arts Work Center in Provincetown. He currently teaches English at DePauw University in Greencastle, Indiana. From Seven Chimeras The way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons; each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth think
The venture of this inviting collection is to look, from the many vantages that the 35 poets in this eclectic anthology chose to look, at what it was—knowing that a poem can’t be conceived in advance of its creation—that helped their poems to emerge or connected them over time. The Rag-Picker's Guide to Poetry permits an inside view of how poets outwit internal censors and habits of thought, showing how the meticulous and the spontaneous come together in the process of discovery. Within are contained the work and thoughts of: Betty Adcock Joan Aleshire Debra Allbery Elizabeth Arnold David Baker Rick Barot Marianne Boruch Karen Brennan Gabrielle Calvocoressi Michael Collier Carl Dennis Stuart Dischell Roger Fanning Chris Forhan Reginald Gibbons Linda Gregerson Jennifer Grotz Brooks Haxton Tony Hoagland Mark Jarman A. Van Jordan Laura Kasischke Mary Leader Dana Levin James Longenbach Thomas Lux Maurice Manning Heather McHugh Martha Rhodes Alan Shapiro Daniel Tobin Ellen Bryant Voigt Alan Williamson Eleanor Wilner C. Dale Young
The story of Daniel Boone is the story of America—its ideals, its promise, its romance, and its destiny. Bestselling, critically acclaimed author Robert Morgan reveals the complex character of a frontiersman whose heroic life was far stranger and more fascinating than the myths that surround him. This rich, authoritative biography offers a wholly new perspective on a man who has been an American icon for more than two hundred years—a hero as important to American history as his more political contemporaries George Washington and Benjamin Franklin. Extensive endnotes, cultural and historical background material, and maps and illustrations underscore the scope of this distinguished and immensely entertaining work.
A mosaic of interrelated stories exploding with personality, myth, and geohistorical weight, Morning in Serra Mattu is a profound, joyful meditation on life in modern Sudan. Arif Gamal seamlessly blends large-scale political realities with the local and the traditional: “old villages/whose ancient way is so composed/each single blade of grass is known/and in its place.” Epic in scope, spellbinding in its intimacy, generosity, and wisdom, Morning in Serra Mattu is the book we didn’t know we needed. how thrilling it was in the earliest morning to race barefoot down the sandy slopes and dunes with all the bellowing goats and dogs and sheep and other animals for their first morning drink and to swim in the fresh waters of the flowing river while the thousand upon thousand of high unhindered Nubian stars began to fall away before a tinge of milky line along the hills until light grew from nearly nothing to an immensity —from “Return to Serra Mattu”