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First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
"The story of a scandal of epic proportions at the heart of the Catholic church - told by one of the world's leading papal historians; A true, never-before-told tale, of poison, murder, and lesbian initiation rites in a nineteenth-century convent - recently discovered in a Vatican archive; Starring a German princess, the Pope, the Inquisition - and the real-life fantasies of the convent's beautiful young mistress. Discovered in a secret Vatican archive, this is the true, never-before-told story of poison, murder, and lesbian initiation rites in a nineteenth century convent. In 1858, Katherina von Hohenzollern, a German princess recently inducted into the convent of Sant'Ambrogio in Rome, wrote a frantic letter to her cousin, a confidant of the Pope, claiming that she was being abused and feared for her life. The subsequent investigation by the Church's Inquisition uncovered the extraordinary secrets of Sant'Ambrogio and the illicit behavior of the convent's beautiful young mistress, Maria Luissa."--Publisher's description.
The Roman Catholic Church has always been concerned with the quality of the music used in the liturgy, and the essays in this volume trace the church's efforts, during the nineteenth century and the first half of the twentieth, to cultivate a more appropriate liturgical music for its Latin Rite. The task of restoration - expressed, for example, in the chant revival associated with the monks of Solesmes, the efforts of the Cecilian movement, and Pius X's determination to reform sacred music in the universal church - is a recurring theme in the book. Meanwhile resistance, particularly to the reforms decreed by the pope's 1903 motu proprio, also finds a voice in the volume. The essays collected here describe selected scenes and episodes from the unending story of imperfect human beings trying to express in their music the perfection of God.
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The fascination that the work of Gaudí arouses is due in large part to the enigmatic symbolism of its forms, full of mystical and philosophical significance that is sometimes difficult for observers to perceive, but which becomes clearer when analysed in the light of certain very influential currents of ideas in the art of the nineteenth and early twentieth centuries. Based on the study of Casa Bellesguard and the Temple of the Sagrada Família, this book opens up new avenues for interpreting Gaudí’s symbolism, discovering the ties existing between the work of the Catalan architect and that of the German painter Peter Lenz, which at the same time is rooted in the early Romantic period. Aimed at both specialists and the general public, Antoni Gaudí: Casa Bellesguard as the Key to His Symbolism not only broadens the knowledge and the documentation of Gaudí’s creative universe, but also contributes to enriching our perception of his work.