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A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorker for close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.
The complexity and uncertainty of the idea of home are very much at issue in the stories Gallant writes about Canada, her home country. Included in this new collection are the celebrated Linnet Muir stories, wonderfully wise and funny investigations into the difficulties of growing up and breaking free.
The ultimate collection of stories by 'one of the great short-story writers of our time' (Michael Ondaatje) 'Gallant is funny, exacting and stern - in fact, an old fashioned moralist ... luminescent, subtle and lasting, Gallant's chronicles of internal and external exile are a fitting tribute to a diasporic century' Guardian 'Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait' Mavis Gallant In 1950, THE NEW YORKER accepted one of Mavis Gallant's short stories for publication and she has since become the one of the most accomplished and respected short story writers of her time. Gallant is an undisputed master whose peerless prose captures the range of human experience in her sweeping portraits set in Europe in the second half of the last century. An expatriate herself, her stories deal with exile, displacement, of love and of estranged emotions, but they are never conventional. This collection of fifty-two stories, written between 1953 and 1995, is timeless, to be savoured and re-read.
Set in Europe in the aftermath of the Second World War, the nine stories in this glittering collection reflect on the foibles and dilemmas of human relationships. An English family goes to the south of France for the sake of the father’s health, and to get away from an England of rationing and poverty. A displaced person turned French soldier in Algeria now makes a living as an actor in Paris. A group of selfish English expatriates on the Italian Riviera are incredulous that Mussolini and the Germans may affect their lives. A great writer’s quiet widow blossoms in widowhood, to the surprise and alarm of her children, who send a ten-year-old grandson to Switzerland to keep her company one Christmas. Full of wry humour and penetrating insights, this is Mavis Gallant at her most unforgettable.
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A New York Review Books Original Mavis Gallant is renowned as one of the great short-story writers of our day. This new gathering of long-unavailable or previously uncollected work presents stories from 1951 to 1971 and shows Gallant's progression from precocious virtuosity, to accomplished artistry, to the expansive innovatory spirit that marks her finest work. "Madeleine's Birthday," the first of Gallant's many stories to be published in The New Yorker, pairs off a disaffected teenager, abandoned by her social-climbing mother, with a complacent middle-aged suburban housewife, in a subtly poignant comedy of miscommunication that reveals both characters to be equally adrift. "The Cost of Liv...
Enthralling essays on the expatriate experience in Paris and shrewd literary criticism by one of the twentieth century's finest writers. Mavis Gallant is revered as one of the great short story writers of her generation, but she was also an astute observer and formidable reporter. This selection of Gallant's essays and reviews written between 1968 and 1985 begins with her impressions of the Parisian student uprising in May 1968. Originally published in The New Yorker, "The Events in May" inspired Wes Anderson's film The French Dispatch and Gallant herself served as inspiration for the journalist portrayed by Frances McDormand. Paris Notebooks presents a whole range of subjects portraying Fre...
In Home Truths, Mavis Gallant draws us into the tricky labyrinth of human behaviour, while offering readers her unique, clear-eyed vision of Canadians both at home and abroad. Ranging in time and place from small-town Quebec during the Depression, to Geneva and Paris in the 1950s, to contemporary Vancouver Island, these stories explore the remorseless cruelty of children, the tensions that affect all families, the dangerous but endearing naïveté of young girls in love with Europe, and the terrible distances that divide people who love each other. And in the celebrated “Linnet Muir” stories, Gallant draws on her own experiences to portray a sensitive and alarmingly perceptive young girl growing up in Montreal in the 1930s and 1940s. Incisive, darkly humorous, and compassionate, Home Truths is a vibrant collection of stories from one of our finest writers.
A New York Times Best Book of the Year: Short stories centered around a French Canadian family that relocates to Paris in the years before WWII. One of the greatest strengths of Mavis Gallant’s writing is her ability to distill a character’s emotions into a simple moment—a lingering glance or an unuttered word. Her flair for detail is everywhere in evidence in Across the Bridge, studies of Montreal and Paris over the last century. The primary focus of this story collection is the Carettes, a family of French Canadians who relocate to Paris before World War II. The two daughters, Marie and Berthe, could not be more different: Marie is traditional and quiet while Berthe is strong willed ...
AN NYRB CLASSICS ORIGINAL Mavis Gallant’s novels are as memorable as her renowned short stories. Full of wit and psychological poignancy, A Fairly Good Time, here with Green Water, Green Sky, encapsulates Gallant’s unparalleled skill as a storyteller. Shirley Perrigny (née Norrington, then briefly Higgins), the heroine of A Fairly Good Time, is an original. Derided by the Parisians she lives among and chided by her fellow Canadians, this young widow—recently remarried to a French journalist named Philippe—is fond of quoting Jane Austen and Kingsley Amis and of using her myopia as a defense against social aggression. As the fixed points in Shirley’s life begin to recede—Philippe ...