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One of the most important German artists of the twentieth century, Max Beckmann was labeled a "degenerate artist" by the Nazis and chose exile. His artistic production encompassed the realism and figural themes of his early works to the provocatively blunt portraiture, critical urban views, and richly layered symbolic works for which he is now universally recognized. Although he was a prolific writer, his written work has never before been collected and translated into English. Beckmann is known for the depth, pungency, and tremendous sensuous force of his works; only in the last twenty years have we come to learn more about his personal life. Self-Portrait in Words maps out Beckmann's life and draws attention to the occasions on or for which he produced his writings, to the importance writing had for him as a form of expression, and to both the contemporary and personal references of his ideas and images.
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This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Text by Jill Lloyd.
This catalogue accompanies the summer 2003 exhibition at Tate Modern on Max Beckmann, widely regarded as one of the most important figurative artists of the last 100 years.
Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out ...
"Max Beckmann (1884-1950) is widely acknowledged as one of Germany's leading painters of the twentieth century. His work has affinities with Expressionism and, in the 1920, with Neue Sachlichkeit (New Objectivity)." "This collaboration, an association between the Pompidou Centre, Tate Modern and The Museum of Modern Art, marks the first occasion since the 1960s that Paris, London and New York have hosted comprehensive surveys dedicated to Beckmann's work. This book, shared between Tate Modern and The Museum of Modern Art, is the first comprehensive English-language catalogue on the artist published since Beckmann's centenary retrospective in 1984. It contains new research by German, American and British scholars, using documentary material published over the past decade. There are, too, several distinctive essays by practicing artists, for whom Beckmann's contribution to art has special significance."--BOOK JACKET.