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A Companion to the Works of Max Frisch
A comprehensive advanced introduction to and scholarly commentary on the work of the Swiss writer Max Frisch, one of the leading German-language dramatists and novelists of the late twentieth century. One of the most influential German-language writers of the late twentieth century, Max Frisch (1911-1991) not only has canonical status in Europe, but has also been well received in the English-speaking world. English translationsof his works are available in multiple recent editions. Frisch was a recipient of both the Büchner Award (1958), and the Peace Prize of the German Book Trade (1976); his body of work explores questions of identity, alienation, and ethics in modern society. He is best ...
Sketchbooks, 1946-1949
A new translation of one of the earliest volumes of Max Frisch's innovative notebooks. Throughout his life, the great Swiss playwright and novelist Max Frisch (1911-1991) kept a series of diaries, or sketchbooks, as they came to be known in English. First published in English translation in the 1970s, these sketchbooks played a major role in establishing Frisch as, according to the New York Times, "the most innovative, varied and hard-to-categorize of all major contemporary authors." His diaries, said the Times, "read like novels and his best novels are written like diaries." Now Seagull Books presents the first unabridged English translation of Sketchbooks, 1946-1949 in a new translation by...
Novels Plays Essays: Max Frisch
Texts include selections from "Sketchbook 1946-1949," "I'm Not Stiller," "Homo Faber: A Report," "Gantenbein," "Sketchbook 1966-1971," "Wilhelm Tell: A School Text," "Military Service Record," "Montauk," and "Man in the Holocene." The plays includes selections from "Now They are Singing Again," "Don Juan," "Andorra," "The Fire Raisers," "Biography: A Game," and "Tryptich: Three Scenic Panels." The essays and speeches include "Emigrants," "Foreignization I," "Switzerland as Heimat," and "Questionaire 1987."
Max Frisch
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Andorra
This new edition of this German classic contains a full introduction; student-friendly notes and critical commentary in English, on the same page as the text; extensive annotation; and expanded vocabulary section; and a revised page design.This new edition of the German classic Andorra has been revised to meet the needs of today's student. Peter Huchinson's superb editorial material provides invaluble support in guiding the student through the play.This new edition contains:* A new, full introduction to the play's historical background* Student-friendly notes and critical commentary which are written in English and which appear on the same page as the text* Extensive annotation* An expanded vocabulary section* Revised page design that presents the text and notes clearly.
Homo Faber
A man who strives for pure rationality and control finds himself at the mercy of fate, in a “novel that speaks tellingly of loneliness, love, and despair” (Booklist). Walter Faber, engineer, is a man for whom only the tangible, calculable, verifiable exists. He is devoted to the service of a purely technological world. His associates have nicknamed him Homo Faber—“Man the Maker.” But during a flight to South America, Faber succumbs to what he calls “fatigue phenomena,” losing touch with reality—and soon he finds himself crisscrossing the globe, from New York to France to Italy to Greece. He also finds himself in the company of a woman who—for reasons he cannot explain or understand—strongly attracts him. The basis for the film Voyager starring Sam Shepard, this novel “capture[s] that essential anguish of modern man which we find in the best of Camus” (Saturday Review). Translated by Michael Bullock
Perspectives on Max Frisch
Max Frisch, with his countryman Friederich Diirrenmatt, shares the place of eminence in contemporary Swiss literature. Indeed, he ranks high among the recent leading writers in the German language. But, although several of his works— novels and plays—have been translated into English, he remains little known in America. In this collection of essays an international group of scholars provides a fresh introduction to this noted author. The three leading essays review Frisch's work in the forms he has used most extensively—drama, narrative fiction, and the personal diary. The remaining nine essays focus on specific works or topics. Among the works examined are I'm Not Stiller, A Wilderness of Mirrors, Wilhelm Tell, and the recent Man in the Holocene. Among the topics are Frisch's use of language and images, his treatment of women, and the element of parody. Concluding the volume is the most complete bibliography on Frisch to appear in English to date.
