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Seamus Heaney, Tom Paulin and Medbh McGuckian are the three most influential poets from Northern Ireland who have composed poems with a link to the Tsarist Empire and the Soviet Union. Through their references to Russia the three poets achieve a geographical and mental detachment allowing them to turn a fresh eye on the Northern Irish situation.
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"In America today there is no lyric work more compelling and well made than To the Center of the Earth," Allen Grossman wrote ten years ago of Michael Fried's last collection of poetry. Fried's new book, The Next Bend in the Road, is a powerfully coherent gathering of lyric and prose poems that has the internal scope of a novel with a host of characters, from the poet's wife and daughter to Franz Kafka, Paul Cézanne, Osip Mandelstam, Sigmund Freud, Gisèle Lestrange, and many others; transformative encounters with works of art, literature, and philosophy, including Heinrich von Kleist's "The Earthquake in Chile," Giuseppe Ungaretti's "Veglia," and Edouard Manet's Le Déjeuner sur l'herbe; and, running through the book from beginning to end, a haunted awareness of the entanglement of the noblest accomplishments and the most intimate joys with the horrors of modern history.
This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not...
Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing "over there," tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focus...
Witness to the international and domestic chaos of the first half of the twentieth century, Anna Akhmatova (1888-1966) chronicled Russia's troubled times in poems of sharp beauty and intensity. Her genius is now universally acknowledged, and recent biographies attest to a remarkable resurgence of interest in her poetry in this country. Here is the essence of Akhmatova - a landmark selection and translation, including excerpts from "Poem with a Hero."
'...erudite, thought-provoking and well-written.'Archie Brown, Professor of Politics, Oxford University. The return to prominence of the concept of political culture offers an opportunity to re-evaluate its contribution to the social sciences. This study casts a broader than usual net, embracing not only political science (with equal emphasis placed on the concept's use in communist studies), but also sociology and history. On this basis a distinctive theory of political culture, and not merely another typology, is developed. Political culture, instead of being a token in the sterile debate between interest- and culture-based explanation, offers the means of transcending that debate.
"I can't remember when I've learned as much from something I've read—or laughed as much while doing it." —Jacob Weisberg, Slate This international bestseller is an encyclopedic A-Z masterpiece—the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
With wit, charm, and grace the interviews in this collection demonstrate what readers of Wilbur's poems long have suspected: that this former U.S. poet laureate is no less persuasive and forceful in extemporaneous speech than he is in verse and prose. Wilbur proves as enlightening and thought-provoking with student reporters from Amherst College, his alma mater, as with journalists for THE PARIS REVIEW, displaying the same dazzling talents that garnered him the Pulitzer Prize in 1957 and again thirty years later. Opinionated yet ever-charitable, he presents the case for rhyme and meter in a dozen different ways in just as many interviews. He expresses a degree of admiration for poetic opposites such as Allen Ginsberg and addresses the objections of his critics. Wilbur's comments and keen insights on his coevals and his craft read as articulately as fine prose. His observations never fail to stimulate or to challenge.
"... Holmgren gives a superb comparative analysis of the literary legacy of the two memoirists." --Times Literary Supplement "Beth Holmgren's book is a highly original and very productive critical appraisal of the work of Likiia Chukovskaia and Nadezhda Mandelstam." --The Russian Review "This fine book, with its copious, informative notes and good bibliography, will interest students of 20th-century literature and theorists of autobiography, feminist criticism, and gender studies." --Choice "... a fascinating book that provides a powerful testament to the strength and endurance of women in a particularly ghastly period of history." --Signs "... impressive, eloquently written... an integrated comparative study of two very different female survivors of the Stalinist night." --Caryl Emerson "... a bold scholarly act.... The writing is excellent throughout." --Barbara Heldt Two extraordinary women writers are evoked as models of women's heroic roles in preserving Russian culture in Stalin's time. A fresh and eloquent approach to the literature of the Stalinist age.