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Max Liebermann and International Modernism
Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.
Max Liebermann
Max Liebermann (1847-1935), The leading artist in Germany from the early 1890s until the Nazi takeover in 1933, was known later in his career for his singular approach to Impressionism. Initially a realist painter, his work at times moved into the more abstract realm of "pure painting," which earned him the moniker, "Manet of the Germans." Liebermann, a self-assured cultural leader And The descendent of a successful German-Jewish family, was a celebrity in his own day. He was president of the Berlin Secession from 1898 until 1910 and, during the Weimar Republic served as president of the Prussian Academy of Art from 1920 until 1932. This first English-language publication on Liebermann looks...
Max Liebermann
Max Liebermann: Modern Art and Modern Germany is the first English-language examination of this German impressionist painter whose long life and career spanned nine decades. Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion Deshmukh illuminates Liebermann?s importance as a pioneer of German modernism. Critics and admirers alike saw his art as representing aesthetic European modernism at its best. His subjects included dispassionate depictions of the rural Dutch countryside, his colorful garden at the Wannsee, and his many portraits of Germany?s cultural, political, and military elites. Liebermann was the largest collector of French Impressionism in Germany - and his cosmopolitan outlook and his art created strong antipathies towards both by political and cultural conservatives throughout his life.
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German Impressionist Landscape Painting
This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germany's three greatest Impressionist painters. Impressionism, considered a French style of painting, was greeted with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany. This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impre...
