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Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer). A collision between image and text, it is a journey into a terrain where pathology meets boredom, where horror meets melancholic loss, and where the will to live meets a grossly heavy impulse to self-erasure. The book functions as a groundbreaking exemplar for how research can occur in a fully creative arena and capacity. This work is new take on writing and photography and what kind of narrative/creative possibilities they deliver. Bob Charles has created a fictional novella that effectively channels the energy of Pam’s works. Pam, in turn, responded to the writing with...
"Mr. Collins is a funny writer [who puts] his finger on exactly what…makes Japan bewildering, endearing, amusing inspiring…" —The New York Times Follow the adventures of Tokyo’s favorite expatriate Max Danger, as he weaves his way in and out of the intricacies and dilemmas of living in Japan from baffling bilingual breakfast meetings, through the mind-boggling enigmas of doing business in Japan, to the dubious pleasures of late-night hostess clubs. Max Danger seems to exhaust himself just trying to make it through the day.
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This is a study in the pathology of cultural criticism. By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbehn, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.