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I was a Teen-age Dwarf
Dobie Gillis, from undersized thirteen-year-old to undersized thirty-year-old, and his continous pursuit of women.
The Tender Trap
THE STORY: Charlie Reader is a young bachelor in New York who's living the ideal life. Or so it seems to Joe McCall, an old friend of his from Indianapolis. Charlie has an elegant apartment, a good job, and millions of girls--all eager to bring him
Barefoot Boy with Cheek
A wild and witty satire of American college life from the author of The Many Loves of Dobie Gillis On his first day of college, farm boy Asa Hearthrug enthusiastically jumps out of bed—and discovers that his pajama pants are caught in the bedsprings. He learns that his dog has died, and his father, in an effort to soften the blow, tells an absurd story about a female bullfighter. Next, the freshman pays a visit to his high school sweetheart to say a heartfelt goodbye, but Lodestone La Toole is more interested in hamburgers than vows of devotion. And when Asa finally arrives at the University of Minnesota—wham!—he gets run over by a frat boy’s convertible. Max Shulman’s bestselling debut novel, written when he was almost as fresh-faced as his protagonist, delightfully skewers every sacred cow of collegiate life. From the faculty expert on “Merrie Olde England” who once spent two weeks on that distant land to the sidewalk booby-trap used by the Alpha Cholera fraternity to round-up reluctant pledges, Barefoot Boy with Cheek bursts at the seams with outrageous characters, delirious set pieces, and gut-busting one-liners.
Potatoes are Cheaper
It's the middle of the Great Depression and Morris Katz and his cousin Albert are broke. But that's all about to change when they head off to college on a mission from Morris's mother to find rich, unattractive Jewish girls to marry. The boys arrive on campus armed with a secret weapon: the poetry of Morris's cousin Crip. Within a day, Morris is courting Celeste Zimmerman, the frumpy heir to a movie theater franchise. But then an Irish Catholic beauty falls under the spell of Crip's verse and goes gaga over Morris. She thinks he's a Jewish-Communist revolutionary poet, and who is he to tell her otherwise? But is it happiness Morris truly wants, or money? And what will Mama Katz say?
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
The Zebra Derby
Home from the war, a veteran finds that his battles have only just begun in this zany and irreverent satire from the author of Rally Round the Flag, Boys! Last seen gallivanting on a college campus in Barefoot Boy with Cheek, Asa Hearthrug traded in his varsity jacket for khaki and fought his way across the Pacific. Now he’s back in his hometown of Whistlestop, Minnesota, eager to share his war stories, but no one wants to listen—they’ve already seen the movies. Postwar America is a brave new plastic world, and Asa’s girlfriend dreams of settling down in a house made entirely of the synthetic material. To help make Lodestone La Toole’s fantasy a reality, Asa seeks his fortune in vitamin-infused cookie cutters, junkyard fan lamps, airplane fishing trips, and mobile culture emporiums. A failed capitalist, he flirts with communism but decides to rededicate himself to college instead. If only his professors didn’t expect every veteran to be a window-busting, wall-chewing, bloodthirsty maniac, he might actually get some studying done.
Anyone Got a Match?
Big tobacco meets the boob tube in this incendiary satire from the bestselling author of The Many Loves of Dobie Gillis Jefferson Tatum is a self-made man. Founder of Tatum Cigarette Company, he wrote the brand’s advertising jingle—“Tatums smoke mild like an innocent child”—and has been bringing home big money—and hunting huge bears—ever since. But this year his tobacco sales are down 3 percent thanks to the surgeon general’s cancer warnings. To make matters worse, Tatum’s forty-three-year-old son, Virgil, shows more interest in presiding over his unaccredited college and its undefeated football team than learning about the family business. Hoping to kill two birds with one...
Inside Vogue
The secret diary of Vogue Editor-in-Chief Alexandra Shulman and the real story behind the BBC TV ABSOLUTELY FASHION documentary. 'One of the great social diaries of our time . . . should become a classic.' Sunday Times 'Eye-popping, brilliantly candid' Evening Standard What a year for Vogue! Alexandra Shulman reveals the emotional and logistical minefield of producing the 100th anniversary issue (that Duchess of Cambridge cover surprise), organizing the star-studded Vogue 100 Gala, working with designers from Victoria Beckham to Karl Lagerfeld and contributors from David Bailey to Alexa Chung. All under the continual scrutiny of a television documentary crew. But narrowly-contained domestic chaos hovers - spontaneous combustion in the kitchen, a temperamental boiler and having to send bin day reminders all the way from Milan fashion week. For anyone who wants to know what the life of a fashion magazine editor is really like, or for any woman who loves her job, this is a rich, honest and sharply observed account of a year lived at the centre of British fashion and culture.
Can We Still be Friends
Can We Still Be Friends is the debut novel by Alexandra Shulman, editor of British Vogue.It's the summer of 1983 and best friends, Salome, Annie and Kendra have left university to embark on adulthood. Three very different girls with very different paths ahead.- Sal, the aspiring journalist whose personal demons threaten to destroy everything she has achieved.- Annie, the capable domestic beauty, convinced that marriage will give her everything she wants.- Kendra, the daughter of chic, liberal parents who, searching for her own identity, encounters a life she never expected.As they navigate the decade of ra-ra skirts and shoulder pads, Duran Duran and Margaret Thatcher, they discover that the...
The Song Is You
Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical’s episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationships—borne of the musical’s obsessions with “bad” performances of gender and race—are the root of the genre’s progressive play with identity, and thus the source of its subcultural power. However, this...
