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The All-Encompassing Eye of Ukraine
One of the most important realist novelists of nineteenth-century Ukraine, Ivan Nechui-Levyts'kyi was caricatured and then forgotten by a generation of literary modernists who rejected his aesthetic and ideological views. In The All-Encompassing Eye of Ukraine, Maxim Tarnawsky presents a thorough and much-needed reexamination of Nechui-Levyts'kyi and his work. A solitary, modest man whose chief interest was in promoting and defending a Ukrainian identity threatened by the cultural policies of the Russian Empire, Levyts'kyi’s writing described Ukraine, its people, its culture, and the forces threatening it. A satirist who attacked modernism and cosmopolitanism, he wrote in a style marked by what Tarnawsky calls non-purposeful narration – slow-paced humour built on rhetorical finesse rather than on plot or character development. A vital reconsideration of a significant Ukrainian novelist written by the foremost expert on his work, The All-Encompassing Eye of Ukraine deepens and expands our understanding of Ukraine’s nineteenth-century literature.
Human Rights and Oppressed Peoples
Georg Brandes was known as the "Father of the Modern Breakthrough" for his influence on Scandinavian writers in the late nineteenth century. A prominent writer, thinker, and speaker, he often examined intellectual topics beyond the literary criticism he was best known for. In this collection, William Banks has translated a number of Brandes's pieces that engage in the concerns of oppressed peoples. By collecting, annotating, and contextualizing these works, Banks reintroduces Brandes as a major progenitor of thinking about the rights of national minorities and the colonized. Human Rights and Oppressed Peoples includes thirty-five essays and published speeches from the early twenty-first century on subjects as diverse as the Boxer Rebellion, displaced peoples from World War I, Finland's Jewish population, and imperialism. This collection will interest interdisciplinary scholars of human rights as well as those who study Scandinavian intellectual and literary history.
Modernism in Kyiv
The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.
Ukraine and Europe
Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.
Nietzsche and Soviet Culture
This 1994 pioneering study documents the extent and diversity of the impact of Nietzschean ideas on Soviet literature and culture. It shows how these ideas, unacknowledged and reworked, entered and shaped that culture and stimulated the imagination of both supporters and detractors of the regime.
The Intellectual Foundations of Modern Ukraine
This is the first synthetic book-length study in English of the Ukrainian nation-building during the "long" nineteenth century. The narrative follows the evolution of the Ukrainian intellectuals and their ideas from the Age of Enlightenment at the end of the eighteenth century and to the era of Positivist science and social reform at the beginning of the twentieth century. The book focuses on the intellectuals, since in the case of Ukrainians—the nineteenth-century epitome of stateless and overwhelmingly plebeian people—the intellectuals played a pivotal role in defining the Ukrainian national project. The central theme is intellectuals’ engagement not only with each other, but also wi...
“Quiet Spiders of the Hidden Soul”
This bilingual Ukrainian-English collection brings together the most interesting experimental works by Mykola (Nik) Bazhan, one of the major Ukrainian poets of the twentieth century. As he moved from futurism to neoclassicism, symbolism to socialist realism, Bazhan consistently displayed a creative approach to theme, versification, and vocabulary. Many poems from his three remarkable early collections (1926, 1927, and 1929) remain unknown to readers, both in Ukraine and the West. Because Bazhan was later forced into the straitjacket of officially sanctioned socialist realism, his early poetry has been neglected. This collection makes these outstanding works available for the first time.
Home-work
Canadian literature, and specifically the teaching of Canadian literature, has emerged from a colonial duty to a nationalist enterprise and into the current territory of postcolonialism. From practical discussions related to specific texts, to more theoretical discussions about pedagogical practice regarding issues of nationalism and identity, Home-Work constitutes a major investigation and reassessment of the influence of postcolonial theory on Canadian literary pedagogy from some of the top scholars in the field.
The Global Game
The world?s most popular sport, soccer, is also one of the planet?s prevalent cultural expressions, celebrated and debated as an art form, observed with ritual and passion. Thus it has inspired literary efforts of every sort, from every corner of the globe, by women and men. The writings gathered in this volume reflect the universal and infinitely varied ways in which soccer connects with human experience. Poetry and prose from Ted Hughes, Charles Simic, Eduardo Galeano, G_nter Grass, Giovanna Pollarolo, 2010 Nobel Prize in Literature Winner Mario Vargas Llosa, and Elvis Costello?to name but a few?take us to a dizzying array of cultures and climes. From a patch of ground in Missoula, Montana, to a clearing in a Kosovo forest, from the stadiums of Burma and Iran to the northern lights over Greenland to remotest Sierra Leone, these writers show us soccer?s stars and fans, politics and rituals, as well as the game?s power to encourage resistance, inspire faith, and build community.
