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Enough of Him
Winner of Best New Play at the 2023 Critics' Awards for Theatre in Scotland To keep that part of me silent. That is what is unbearable. That is why I must be free. Based on a true story, Enough of Him explores the life of Joseph Knight, an African man enslaved by plantation owner Sir John Wedderburn and brought to Scotland to serve in his Perthshire mansion. Highly favoured by Wedderburn and yet still enslaved, Knight balances on the knife edge between obligation and a soul-deep yearning for freedom. He forges a bond with Annie, a young Scottish servant working in the household, and the two of them fall in love. But the walls of Ballindean do not keep secrets - their affair unsettles Lady We...
After Independence
Let us not dwell on the past . . . I'm an old man, Charles. Old enough to know the past is only good for one thing – destroying the future. Guy and Kathleen grow their crops, raise their daughter, and pay their taxes. But Africa is changing, country by country. White farmers in Zimbabwe must now answer for history's crimes. When Charles arrives with a smile and a purchase order, there's more than just land at stake. With violence threatening to erupt, he will do whatever it takes to restore their farm to the 'native' population. As truths are revealed and moralities questioned, are things ever more than simply black and white? Inspired by real events in Zimbabwe, May Sumbwanyambe's debut play is an unflinching examination of land ownership, dispossession and justice in a post-colonial world. After Independence received its world premiere at the Arcola Theatre, London, on 4 May 2016, in a production by Papatango Theatre Company.
Enough of Him
To keep that part of me silent. That is what is unbearable. That is why I must be free. Based on a true story, Enough of Him explores the life of Joseph Knight, an African man enslaved by plantation owner Sir John Wedderburn and brought to Scotland to serve in his Perthshire mansion. Highly favoured by Wedderburn and yet still enslaved, Knight balances on the knife edge between obligation and a soul-deep yearning for freedom. He forges a bond with Annie, a young Scottish servant working in the household, and the two of them fall in love. But the walls of Ballindean do not keep secrets - their affair unsettles Lady Wedderburn, whose bitter loneliness is only deepened by the close bond her hus...
After Independence
Let us not dwell on the past . . . I'm an old man, Charles. Old enough to know the past is only good for one thing – destroying the future. Guy and Kathleen grow their crops, raise their daughter, and pay their taxes. But Africa is changing, country by country. White farmers in Zimbabwe must now answer for history's crimes. When Charles arrives with a smile and a purchase order, there's more than just land at stake. With violence threatening to erupt, he will do whatever it takes to restore their farm to the 'native' population. As truths are revealed and moralities questioned, are things ever more than simply black and white? Inspired by real events in Zimbabwe, May Sumbwanyambe's debut play is an unflinching examination of land ownership, dispossession and justice in a post-colonial world. After Independence received its world premiere at the Arcola Theatre, London, on 4 May 2016, in a production by Papatango Theatre Company.
30-Second Literature
Whether you're looking for a new author or genre to explore, 30-Second Literature provides you with summaries of the major literary genres, styles and histories. Part of the 30-Second series, this introductory guide to literature is split into 7 chapters that cover: The History of Literature - from Sanskrit to Modernism The Novel - in all its glorious genres Literary Prose - non-fiction from diaries to philosophies Poetry - from the sonnet to the haiku Drama - interesting theatrical forms and genres Literary Devices - the techniques authors use in their works Literary Styles - the features and history of different styles of writing Each topic is summarized in 300 words and contains a small b...
The Watch House
There's a legend about the Watch House... Scrape beneath the whitewash and you'll find terror. You'll find him. Tynemouth, late 1970s. Christmas is coming and Front Street's swinging. But Anne, dumped here while her parents sort their divorce, isn't in the mood. She escapes to the castle, the Priory the beaches. Best of all, the Watch House. The old coastguard's place is packed with weird treasures and no one bothers her. Until lights start to flicker and something stirs in the dark nights... Buried deep in the past is a secret which now threatens everything. Only Anne can stop it. The Watch House is an epic new adaptation of Carnegie Medal-winner Robert Westall's original novel, from Olivier Award-winning theatre-maker Chris Foxon. This edition was published to coincide with the world premiere at Laurels Theatre in Whitley Bay, in December 2023.
So Young
None
Sean and Daro Flake It 'Til They Make It
Ah've got a brain for business me. Nothing says business like a pair of trackies. Looking for a way out of their humdrum lives in the outskirts of Glasgow, straight-laced Sean, fresh from dropping out of uni, and the gallus Daro, overflowing with charisma and business 'acumen', reckon they can be the dream team of frozen treats. Following in the footsteps of their business heroes Bannatyne and Branson, full of tall tales and cunning plans, and fuelled by Irn Bru and baccy, the two go from the heady heights of summer to the perilous cold of winter in their slightly clapped-out van of destiny. But surely it's always ice cream season? However, they quickly discover that conquering the ice cream...
The Contemporary History Play
Something exciting is happening with the contemporary history play. New writing by playwrights such as Jackie Sibblies Drury, Samuel Adamson, Hannah Khalil, Cordelia Lynn, and Lucy Kirkwood, makes powerful theatrical use of the past, but does not fit into critics' familiar categories of historical drama. In this book, Benjamin Poore provides readers with tools to name and critically analyse these changes. The Contemporary History Play contends that many history plays are becoming more complex and layered in their aesthetic approaches, as playwrights work through the experience of being surrounded by numerous and varied forms of historical representation in the twenty-first century. For theatre scholars, this book offers a means of interpreting how new writing relies on the past and notions of historicity to generate meaning and resonance in the present. For playwrights and students of playwriting, the book is a guide to the history play's recent past, and to the state of the art: what techniques and formulas have been popular, the tropes that are widely used, and how artists have found ways of renewing or overturning established conventions.
