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In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses.
This book is the first full-length study of a complex visual tradition associated with the Hasidic movement of Chabad.
In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet...
Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm served as an unlikely haven for political dissidents and brought together Jewish creative personnel from across the land. These artists used the studio to depict distinctive elements of their heritage and ethnic identity, while articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union.
A multidisciplinary analysis of the Freud-Jung wars that still rage on the discursive territory of religion.
In Revising Dreyfus, contributors from a wide variety of disciplines (art history, film, media, theater, sociology, history) offer new ways of understanding the ever-evolving meanings of the Dreyfus Affair. Although the Dreyfusards led the way in explicating the nuances of the Affair in lengthy treatises, the anti-Dreyfusards far outstripped their opponents on the graphic front, particularly through print media, photographs, postcards, broadsides, films, illustrated journal covers, and the plastic arts. Revising Dreyfus traces the dominant modes of “seeing” the Dreyfus Affair, often in opposition to “reading” the Affair in three major contexts: French, Zionist, and American.
New York City's Lower East Side, long viewed as the space of what Jacob Riis notoriously called the "other half," was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures. Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America--and their subjects looked ...
Introduction: for the love of books / Marc Michael Epstein -- The people of the book/books of the people: illuminating the canon / Hartley Lachter and Marc Michael Epstein -- Parchments and palimpsests: scribe, illuminator, patron, audience / Marc Michael Epstein -- The illuminated page: materials, methods, and techniques / Barbara Wolff -- Mapping the territory: ʼArbʻah kanfot maʼareẓ, the four corners of the medieval Jewish world. Ereẓ Yisrael/The land of Israel: homeland and center / Marc Michael Epstein ; Italia/Italy: the first western diaspora / Marc Michael Epstein ; Ashkenaz: Franco-Germany, England, Central, and East Europe / Eva Frojmovic with Marc Michael Epstein ; Sepharad...
Marcel Proust offered the twentieth century a new psychology of memory and seeing. His novel In Search of Lost Time was written in the modern age of photography and art history. In Looking Back One Learns to See: Marcel Proust and Photography is an intellectual adventure that brings to light Proust’s visual imagination, his visual metaphors, and his photographic resources and imaginings. The book features over 90 illustrations. Mary Bergstein highlights various kinds of photography: daguerreotypes, stereoscopic cards, cartes-de-visite, postcards, book illustrations, and other photographic mediums. Portraiture, medical photography, spirit photography, architectural photography, Orientalism,...
Hasidism, a Jewish religious movement that originated in Poland in the eighteenth century, today counts over 700,000 adherents, primarily in the U.S., Israel, and the UK. Popular and scholarly interest in Hasidic Judaism and Hasidic Jews is growing, but there is no textbook dedicated to research methods in the field, nor sources for the history of Hasidism have been properly recognized. Studying Hasidism, edited by Marcin Wodziński, an internationally recognized historian of Hasidism, aims to remedy this gap. The work’s thirteen chapters each draws upon a set of different sources, many of them previously untapped, including folklore, music, big data, and material culture to demonstrate what is still to be achieved in the study of Hasidism. Ultimately, this textbook presents research methods that can decentralize the role community leaders play in the current literature and reclaim the everyday lives of Hasidic Jews.