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Mr Darcy's Diary
Ever wondered what Mr Darcy was really thinking? His secrets are revealed in this utterly convincing and captivating novel of love and pride, passion and prejudice. Perfect for fans of BRIDGERTON 'As moving and enjoyable as could be wished ... Mr Darcy fans everywhere will welcome his Diary to the canon' Wendy Holden, DAILY MAIL 'Mr Darcy's Diary boldly goes where Jane Austen never does' FINANCIAL TIMES This intimate diary tells us of his entanglements with women, his dangerous friendship with Byron, his daily life in Georgian London, his mercurial mood swings calmed only by fisticuffs at Jackson's - and, most importantly, his vain struggles to conquer his longing for Elizabeth. For the first time we discover what really happened between his sister and the dastardly Wickham. How did he distract his friend Bingley from pining for his beloved Jane? Why did he propose to another young woman? Only to his diary does he tell the full story. At last we see Darcy as he really is: and, beneath his polite facade, we find a sensitive, private and passionate man.
The Misanthrope, Tartuffe, and Other Plays
First published as an Oxford World's Classics paperback, 2001.
Boris Pasternak
This selection of Boris Pasternak's correspondence with his parents and sisters from 1921 to 1960—including more than illustrations and photos—is an authoritative, indispensable introduction and guide to the great writer's life and work. His letters are accomplished literary works in their own right, on a par with his poetry in their intensity, frankness, and dazzling stylistic play. In addition, they offer a rare glimpse into his innermost self, significantly complementing the insights gained from his work. They are especially poignant in that after 1923 Pasternak was never to see his parents again.
A Bad Business
The perfect introduction to the many talents of this iconic Russian writer: six short stories ranging from satire to tragedy Dostevsky was a writer of unparalleld psychological intensity, capable of evoking startling absurdity and scorching social satire. In this collection of newly translated stories, scenes from the turbulent underbelly of St Petersburg are shot through with an acerbic, unforgiving humour, only to soften into moments of tragedy and unexpected tenderness. An arrogant nobleman disgraces himself, and betrays his ideals, at an aide's wedding. A struggling writer stumbles upon a cemetery where the dead talk to each other. A civil servant finds unexpected clarity from inside the belly of a crocodile. These stories, by turns both wickedly sharp and unexpectedly charming, illuminate Dostoevsky's dazzling versatility as a writer.
Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology
Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum's directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story ...
The Senses in Performance
This ground-breaking anthology is the first to be dedicated to assessing critically the role of the human sensorium in performance. Senses in Performance presents a multifaceted approach to the methodological, theoretical, practical and historical challenges facing the scholar and the artist. This volume examines the subtle actions of the human senses including taste, touch, smell and vision in all sorts of performances in Western and non-Western traditions, from ritual to theatre, from dance to interactive architecture, from performance art to historical opera. With eighteen original essays brought together by an international ensemble of leading scholars and artists including Richard Schechner and Philip Zarrilli. This covers a variety of disciplinary fields from critical studies to performance studies, from food studies to ethnography from drama to architecture. Written in an accessible way this volume will appeal to scholars and non-scholars interested in Performance/Theatre Studies and Cultural Studies.
Reading Undercover
This study examines author/audience relations in the works of the seventeenth-century French poet Jean de La Fontaine. Focusing on the Fables, Les Amours de Psyche et de Cupidon, and the Contes, Anne L. Birberick explores how La Fontaine remains a largely subversive artist, even while he seeks to establish himself within a conventional system of literary patronage. Birberick offers an "anatomy" of readers as she shows how La Fontaine simultaneously appeals to multiple readers whose tastes range from the literal to the ironic, from the orthodox to the heterodox. To negotiate successfully between and among such diverse audiences, the poet employs techniques of concealment and disclosure to foster an anticanonical public.
Father and Son
An innovative study of two of England’s most popular, controversial, and influential writers, Father and Son breaks new ground in examining the relationship between Kingsley Amis and his son, Martin Amis. Through intertextual readings of their essays and novels, Gavin Keulks examines how the Amises’ work negotiated the boundaries of their personal relationship while claiming territory in the literary debate between mimesis and modernist aesthetics. Theirs was a battle over the nature of reality itself, a twentieth-century realism war conducted by loving family members and rival, antithetical writers. Keulks argues that the Amises’ relationship functioned as a source of literary inspiration and that their work illuminates many of the structural and stylistic shifts that have characterized the British novel since 1950.
Holocaust Fiction
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis * The White Hotel by D.M. Thomas * The Painted Bird by Jerzy Kosinski * Schindler's List by Thomas Keneally * Sophie's Choice by William Styron * The Hand that Signed the Paper by Helen Darville. Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.
