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"This collection of essays in honour of Máire Herbert focuses primarily on the textual culture of Ireland (in Latin and Irish) in its historical context from the medieval to the modern. Contributions engage with genres such as poetry, saga, hagiography, apocrypha, and 'historical tales,' and with themes that range from the cults of the saints in early medieval Ireland to the literary portrayal of women; this sustained interrogation by some of the foremost experts in their disciplines results in numerous fresh insights and new perspectives"--Publisher description.
"This is a study of the history and documentary records of one of Ireland's most important early monastic communities, the familia of St Columba, between the sixth and twelfth centuries. The federation of Columban, monasteries left three major hagiographical works: the Vita Columbae of Adomnan, the Life of Adomnan, and an Irish Life of Colum Cille. The conventional literary settings in which the Columban texts are presented has tended to obscure the valuable information they contain about the circumstances and prevailing attitudes of the time. Approaching the texts from three points of view, historical, linguistic, and literary, Maire Herbert makes clear how the hagiography reflected, and responded to, significant events. Iona, Kells and Derry gives a unique insight into the aims and attitudes of the Columban monastic federation at critical stages in its history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Legend of St Brendan is a study of two accounts of a voyage undertaken by Brendan, a sixth-century Irish saint. The immense popularity of the Latin version encouraged many vernacular translations, including a twelfth-century Anglo-Norman reworking of the narrative which excises much of the devotional material seen in the ninth-century Navigatio Sancti Brendani abbatis and changes the emphasis, leaving a recognisably secular narrative. The vernacular version focuses on marvellous imagery and the trials and tribulations of a long sea-voyage. Together the two versions demonstrate a movement away from hagiography towards adventure. Studies of the two versions rarely discuss the elements of the fantastic. Following a summary of authorship, audiences and sources, this comparative study adopts a structural approach to the two versions of the Brendan narrative. It considers what the fantastic imagery achieves and addresses issues raised with respect to theological parallels.
This book explores the strange world of Irish sagas. It offers a systematic literary analysis of any single native Irish saga and presents an analysis of the finest of the sagas, 'The Destruction of Da Derga's Hostel'. The reader is invited to not only understand this and other Irish sagas, but also to enjoy them as literature.
While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely concerned with birth and death and with destiny of individuals.
This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.
The present volume has been compiled by colleagues and friends as a tribute to Dr. A. Hilhorst, the Secretary of the Journal for the Study of Judaism, on the occasion of his 65th birthday. Its 23 contributions by renowned international experts, reflect the various interests of the honouree, his approach to the Classical and Semitic languages and literatures as forming part of a continuum, and his attention to the interactions between the different literary corpora. Several contributions deal with the interaction of the Old Testament with later Jewish, Gnostic, or Christian writings; others explore the influences of Greek writings within a Jewish context at the levels of philology, of theological ideas, of realia, or of influence of literary compositions. Furthermore, a number of contributions centers on the interaction of Greek motives in Jewish and Christian literature, whereas in several others the focus is on the Martyrium literature or on early Christian texts.
In Medieval Manuscripts in Transition, various scholars investigate the ways in which the study of manuscripts can contribute to interpretation or provide insight.
"The authors visited monasteries and ring forts, climbed mountains and delved deep into sacred caves, and were accompanied on this journey through the historical landscape by many of Ireland's best-known scholars, historians, archaeologists, poets, and storytellers." "Ireland's ancient past is still filled with many mysteries. But because of a cascade of new archaeological discoveries and new techniques for interpreting them, the truth about this past is coming into sharper focus. This book is replete with new information, some of it at odds with what many Irish descendants believe about their ancestral home."--BOOK JACKET.
Beginning with New Testament descriptions of John as fisherman, and extending through the most recent Johannine scholarship, Alan Culpepper gathers stories from church fathers, the apocryphal acts of John, medieval sources, Victorian poets, and nineteenth- and twentieth-century historians of earliest Christianity to explore the life, exploits and the death of this most significant apostle. The resulting picture of John is one of the most important and complete, and is a fascinating account of the development of the Johannine legend, no less than the historical tradition.