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Polish Avant-Garde in Berlin
Polish avant-garde artists in Berlin - Modernist paradigm in the art - Pre- and post- Second World War period - Migration experience - Relations and identity programmes of artists and groups - Berlin boheme - Gender in Polish art.
Polish Jewish Culture Beyond the Capital
Polish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)
Traces of a Jewish Artist
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...
Charlottengrad
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community membe...
Reclaiming Biblical Heroines
This book examines the iconography of Judith, Esther, and the Shulamite in the last decades of the nineteenth and the first two decades of the twentieth century in the works of the Polish-Jewish artists.
Blood Libel
A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth ...
Periodization in the Art Historiographies of Central and Eastern Europe
This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. ...
Niedokończona wojna?
Do kogo należy „polskość”? Jakie postawy narodowe reprezentowali Polacy? Czy „polskość” definiowana przez państwo może wykluczać innych obywateli uważających się za Polaków? Czy można być Polakiem w Niemczech, nie będąc Wallenrodem? A może „dziś można być tylko Polakiem bez zastrzeżeń albo nie być nim wcale”? Te i wiele innych, również obecnie aktualnych, tematów podejmują historycy, literaturoznawcy, historycy sztuki, politolodzy, antropolodzy, socjologowie. Książka składa się z 23 artykułów podzielonych na cztery rozdziały: Co to jest „polskość”?, Wojna i jej pamiętanie: wartości i postawy, Tradycja i nowe konstrukcje tożsamościowe or...
Poszukiwanie tożsamości kulturowej w Europie Środkowo-Wschodniej 1919-2014. The Search for Cultural Identity in East-Central Europe 1919-2014
Monografii Poszukiwanie tożsamości kulturowej w Europie Środkowo-Wschodniej patronuje Milan Kundera, autor opublikowanego w 1983 r. artykułu Zachód porwany albo tragedia Europy Środkowej, tekstu, który ożywił dyskusję dotyczącą geopolitycznej i geokulturowej specyfiki tej części Starego Kontynentu. Prezentowany tom stanowi „polifoniczny” głos w tej debacie, dotyczącej istoty i roli modeli tożsamościowych wytwarzanych w sferze kultury w zmieniających się społeczno-politycznych konfiguracjach współczesnego świata. Okres transformacji polityczno-ekonomicznej w Europie po upadku muru berlińskiego cechowały z jednej strony dążenia integracyjne w ramach Wspólnoty E...
