You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
His family survived famine-ravaged Ireland in the 1850s. His ancestors settled in poverty-rife Victorian Liverpool, working to survive and thrive. Some of them became soldiers serving in Gallipoli and on the Western Front. One would be the last man to step off the SS Titanic as it sank beneath the icy waves. He would testify at the inquest. This is their story. Stephen McGann is Doctor Turner in the BBC hit-drama series Call the Midwife. Flesh and Blood is the story of the McGann family as told through seven maladies – diseases, wounds or ailments that have afflicted Stephen’s relatives over the last century and a half, and which have helped mould him into what he now perceives himself t...
This anthology explores the full range of verse published in Britain between 1785 and 1832, one of the most fertile periods for English poetry. Selections from all the major and minor poets are included, as well as examples of the many other kinds of verse which continued to be written duringthe period: political and satirical verse, 'sentimental' verse, regional and dialect verse, and verse in translation.Organizing the book by date of first publication, Jerome J. McGann calls attention to the historical and cultural contexts in which the poetry is embedded. Old familiar poems are thrown into new relationships, and traditional views of the poetry of the period challenged.
An intimate and engrossing celebration of the first ten years of the beloved TV series Call the Midwife. Learn the up-close and personal story of Call the Midwife as told by the cast and crew. Call the Midwife: A Labour of Love is a moving journey through the iconic series and features personal reflections, photos of fan-favourite moments, and anecdotes and insights from co-stars, producers, technical crew, and guests. Each chapter, spanning each of the ten years of Call the Midwife - set from 1957-1966 - takes a deep dive into the themes, locations, fun times and technical challenges from each season. Author Stephen McGann, who plays the indefatigable Dr Turner, intersperses personal interv...
Over the past decade literary critic and editor Jerome McGann has developed a theory of textuality based in writing and production rather than in reading and interpretation. These new essays extend his investigations of the instability of the physical text. McGann shows how every text enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation. Arguing that textuality is a matter of inscription and articulation, he explores texts as material and social phenomena, as particular kinds of acts. McGann links his study to contextual and institutional studies of literary works as they are generated over time by authors, editors, typographers, book designers, marketing planners, and other publishing agents. This enables him to examine issues of textual stability and instability in the arenas of textual production and reproduction. Drawing on literary examples from the past two centuries--including works by Byron, Blake, Morris, Yeats, Joyce, and especially Pound--McGann applies his theory to key problems facing anyone who studies texts and textuality.
Nate Wildenstern's brother has been killed, and the finger is pointed at him . . . After nearly two years, eighteen-year-old Nate returns home to the family empire ruled by his father - the ruthless Wildenstern Patriarch. But Nate's life is soon shattered by his brother's death, and the Rules of Ascension, allowing the assassination of one male family member by another, means he's being blamed. He knows that he is not the murderer, but who is? With the aid of his troublesome sister-in-law, Daisy, and his cousin Gerald, he means to find out. But when the victims of the family's tyrannical regime choose the funeral to seek their revenge, they accidentally uncover the bodies of some ancient Wildenstern ancestors, one of whom bears a Patriarch's ring. The lives of Nate and his family are about to take a strange and horrifying turn . . .
Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.
None
Lug's in for the fight of his life when he takes on Balor and his terrifying eye of destruction.
Four young criminals. One simple task: steal a mysterious box from the daughter of a dead scientist. They have to follow her, bug her phone, hack her computer, search her home, all without her knowing. But WatchWorld run this city now. On every street are cameras, X-ray scanners, microphones. Terrifying Safe-Guards can see through walls, hear your heartbeat, analyze the smell of your sweat. Their motto? If you've nothing to hide, you've nothing to fear. But Nimmo, Scope, Manikin and FX, who work in the blind-spots of the city's shady underworld, are soon caught in a maze of deception, treachery and murder... will they make it out of the rat-runs alive?
#1 New York Times Bestseller! In Catastrophe, Dick Morris and Eileen McGann—authors of the megabestsellers Fleeced and Outrage—take a hard look at America in free fall and at how Barack Obama is transforming a vulnerable U.S. into a socialist state. Their seventh consecutive New York Times bestseller, Catastrophe is a call to arms for every American skeptical of Big Business and politics as usual—and a must read for fans of Bill O’Reilly, Sean Hannity, Rush Limbaugh, Michael Savage, Bernie Goldberg, and Glenn Beck.