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Entangled
Entangled: Two Views on Contemporary Canadian Painting' offers an insight into two distinctly different modes of painting that have come to dominate contemporary painting in this country. The origins of both can be effectively traced back to the 1970s, to a moment when the continued existence of painting was hotly debated. Within that debate two new strategies were devised, one that proposed the possibility of conceptual painting - a highly refined notion of painting that emerged from and returned to the idea - and a second, ambivalent proposition that valued actions and materials over ideas - in short, doing and making were pitted against ideas and concepts.now enjoys in Canada.
The Coconut Children
Life in the troubled neighbourhood of Cabramatta demands too much too young. But Sonny wouldn’t really know. Watching the world from her bedroom window, she exists only in second-hand romance novels and falls for any fast-food employee who happens to spare her a glance. Everything changes with the return of Vince, a boy who became a legend after he was hauled away in handcuffs. Sonny and Vince used to be childhood friends. But with all that happened in-between, childhood seems so long ago. It will take two years of juvie, an inebriated grandmother and an unexpected discovery for them to meet again. The Coconut Children is an urgent, moving and wise debut from a young and gifted storyteller.
The Correct Fury of Your Why Is a Mountain
Poet-critic Jim Johnstone has described Kevin Heslop's the correct fury of your why is a mountain as among "the most promising poetic projects to come out of Canada in recent years." This debut collection communicates Heslop's sense of balance as a visual artist, curator, and poet who weights the page with visual harmony. By turns experiment, lyric, and incantation, the book nods to its author's training as an actor, combining a command of language, form, character, and polyphony to make something performatively unique.
Rosa of the Wild Grass
Rosa's story explains a great deal about Nicaragua, and from a woman's point of view. The intimacy and immediacy captured in this work inspired the author to paint a series of stark black and white images to illustrate this story.
Graphic Underground
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Aki-wayn-zih
Winner- 2022 Governor General’s Literary Award for English-Language Nonfiction Members of Eli Baxter’s generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. Aki-wayn-zih is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviv...
The Beatrix Potter
Children can create their own scenes from The World of Peter Rabbit and Friends--the animated television and video series--with these reusable stickers and backgrounds illustrated in full color.
Glasgow Girls
At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. In this work, the editor redresses this imbalance, bringing together research from 18 scholars on the work of an astonishing number of female artists from this period.
Glimmers of the Radiant Real
Working in materials such as gold, glass, foil and plastic, nine artists create works that glimmer, sparkle and shine, revealing far more than their surface value. Radiance, that quality of light so often associated with the marvelous and the modern, is subverted in these works by the relationship between the quality of a surface and what it covers, reflects, or contains: gilded insect wings sketch a house's morbid geography, material treatments upend expectations of form and colour, and dollar-store detritus, sunk in resin, seems to glow behind glass, and more. These glistening, shining surfaces manipulate the viewer's perception of dimension through reflections and refractions, un-forming the object. The combination of familar materials and perceptual distortion, the mirrored illusion of extended space, the fracturing and projection of the viewer's body, and rainbow refractions of white gallery light all work to create an uncertaintly about the realiity of the experience. Underlying the physical perceptions of the works are aesthetic associations ranging from glamour to kitsch, celebration to science.
