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The Last Judgement
After more than 7 years of legal battle, the four convicted rapists of Nirbhaya of New Delhi, the daughter of India, were executed. It was hailed that finally Nirbhaya got justice! Did she really get justice? No, no. No rape victim or any innocent victim of a crime for that matter, gets justice whether the offender is hanged or imprisoned for life. Justice always eludes the innocent victim. Is revenge justice? If you believe yes, this book may be not for you. No legal system can ensure justice to a victim. No reparation can be justice to an innocent. So, what is the path to justice? Well, Dr. Anjali and her friends, detective turned doctors, rewrite the country’s penal codes and legal procedures. Dr. Anjali, the victim who was kidnapped and abused, proclaims The Last Judgement. The Supreme court of India observed in the Nirbhaya case of 2012: “story of a different world” and: “If ever a case called for hanging, this was it.”
Dancing Women
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms -- cinema and dance -- historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers t...
Footprint
The only journey is the one within. The four batchmates of Presidency College, born at different places and times, were destined to meet at some point, and their got intermingled till the fag end of their life. They were lost in their respective dreams during the turbulent period of the 1970s; their college days. Those days, life was very close to living in paradise, till one of them was caught in the web of the Naxal Movement and left them forever. After graduation the other three headed in different directions and during their journey, they struggled to cope with realities and crises; each in their own way, and ultimately found the common path to live a meaningful life. After many years their paths crossed again as they got involved in a noble cause
Gendered Violence in Public Spaces
Gendered Violence in Public Spaces: Women’s Narratives of Travel in Neoliberal India examines the vulnerability of women in public spaces in India through an analysis of narrative representations ranging from emerging digital media, commercial Hindi films, and graphic narratives to accounts of real and lived experiences of women. In doing so, this collection initiates a scholarly discussion on manifold forms of emotional, mental, epistemic, and above all sexual violence female travelers face in male-dominated public spaces. Gendered Violence in Public Spaces therefore challenges contemporary readers to re-frame India’s public spaces against misogyny and gendered violence.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Film and Ethics
This book forms part of the multi-disciplinary Studies in Ethics Series from Liverpool Hope University. It explores the slipperiness of ethics as a concept and demonstrates the multiplicity of intellectual inquiry within contemporary Film Studies. At first glance, ‘ethics’ is not necessarily a subject conventionally associated with film. Film is often regarded as a form of ‘lowbrow’ popular culture, either offering bland entertainment or deliberately setting out to shock – or, more cynically, generate box office revenue – through gratuitous inclusion of sex and violence. Certainly, there have always been a minority of films based on the stereotypically ‘ethical’ subject of re...
Some Issues in Contemporary Indian Politics
Contributed articles.
Big British Bluff
Today, many Indians are unaware that World War II was once fought in India’s North-eastern region. The twin battles of Imphal and Kohima were so fierce that in 2013, a poll conducted in London recognized these as ‘Britain’s Greatest Battle.’ But, in the history of India’s independence movement, they have largely been eclipsed. While global historical accounts have framed them as a Japanese invasion of India, the truth is they were parts of India’s armed Liberation War against British colonial rule spearheaded by the Indian National Army under Netaji Subhas Chandra Bose, with the audacious ambition of uprooting the British Raj from the soil of India. British Prime Minister Churchi...
Neonationalist Mythology in Postwar Japan
Radhabinod Pal was an Indian jurist who achieved international fame as the judge representing India at the Tokyo War Crimes Tribunal and dissented from the majority opinion, holding that all Japanese “Class A” war criminals were not guilty of any of the charges brought against them. In postwar Japanese politics, right-wing polemicists have repeatedly utilized his dissenting judgment in their political propaganda aimed at refuting the Tokyo trial’s majority judgment and justifying Japan’s aggression, gradually elevating this controversial lawyer from India to a national symbol of historical revisionism. Many questions have been raised about how to appropriately assess Pal’s dissenti...
Home in the World
The extraordinary early life in India and England of one of the world's leading public intellectuals Where is 'home'? For Amartya Sen, home has been many places - Dhaka in modern Bangladesh, the little university town of Santiniketan, where he was raised as much by his grandparents as by his parents, Calcutta where he first studied economics and was active in student movements, and Trinity College, Cambridge, to which he came aged 19. Sen brilliantly recreates the atmosphere in each of these. He remembers his river journeys between Dhaka and his parents' ancestral homes and wonderfully explores the rich history and culture of Bengal. In 1943 he witnessed the disastrous unfolding of the Benga...
