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Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
Larry Kavanaugh is an ordinary kind of guy. He's got a nagging wife and two kids, both annoyingly gifted. No matter what he does, there is no end to what his family needs. What's a regular, everyday guy to do? Well, he cuts a few corners, obviously-one very big corner in particular. He sells his soul to the Devil. Maybe it's not the actual Devil, but Larry is ready to make a deal with one of the Devil's minions. He meets some demon whose name he can't remember. Funny, it was right on the tip of his tongue, a name of something you step on. Roach the Demon has sort of good intentions. He just wants a re-write of Dante's Inferno with himself as the star. Roach goes after Larry as a rogue operation. He needs to make a point to his boss, Satan, so he uses the body of a human to follow Larry around and stir up trouble. He offers Larry an airtight guarantee that nothing could possibly go wrong. After all, Larry doesn't feel like he has much to lose-or does he? Even Roach might be in over his head this time.
A fascinating collection of photographs of bomb shelters around the world. Various sites people have built to protect themselves from the unthinkable
Inspired by Art Spiegelman's groundbreaking comic anthology Raw, with all the artists either former Raw contributors or fans, the art here runs the gamut from surprising to shocking to surreally beautiful. Captured in full-colour reproductions (as well as a fair amount of black and white), this book showcases some of the most important comics and comic-themed art being created today.
Chronologically arranged and annotated with information on size, print run and date of publishing, this work features complete prints and posters of Shag. It contains over 175 colour reproductions along with illustrated essays offering insight into the phenomenal success of his work.
This engrossing memoir brings to vivid life the behind-the-scenes struggles of Marcia Tucker, the first woman to be hired as a curator at the Whitney Museum of American Art and the founder of the New Museum of Contemporary Art in New York City. Tucker came of age in the 1960s, and this spirited account of her life draws the reader directly into the burgeoning feminist movement and the excitement of the New York art world during that time. Her own new ways of thinking led her to take principled stands that have changed the way art museums consider contemporary art. As curator of painting and sculpture at the Whitney, she organized major exhibitions of the work of Lee Krasner, Joan Mitchell, Robert Morris, Bruce Nauman, and Richard Tuttle, among others. As founder of the New Museum of Contemporary Art, she organized and curated groundbreaking exhibitions that often focused on the nexus of art and politics. The book highlights Tucker's commitment to forging a new system when the prevailing one proved too narrow for her expansive vision.
Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or "militainment"—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary media examples to demonstrate the ways that war now invites audiences to enter the spectacle as an interactive participant through a variety of channels—from news coverage to online video games to reality television. Simply put, rather than pres...
Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those f...