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Visionaries
"Published on the occasion of the exhibition Visionaries: Creating a Modern Guggenheim, organized by Megan Fontanella, Curator, Collections and Provenance, Solomon R. Guggenheim Museum, New York, February 10-September 6, 2017."
The Psychology of Rhythm, Matter and Art
This is a multidisciplinary study of the rhythms depicted in abstract art, the body's rhythms, and neural oscillations.
The Mother of the Sri Aurobindo Ashram
The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privileged the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness.
Paalen Life and Work
This publication is devided into three parts. The first volume is devoted to the artist's fascinating adolescence in Vienna, Rome and Berlin as well as the turbulent days in surrealist Paris until his exile in 1939. The second volume will focus on Paalen's life and work in wartime and post-war Mexico and North America, which became so seminal for American art. In the third volume, Neufert will present an updated version of his 1999 Catalogue Raisonné.
Exhibiting Italian Art in the United States from Futurism to Arte Povera
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more ...
Art of Suppression
This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
With Freedom in Our Ears
Jewish anarchism has long been marginalized in histories of anarchist thought and action. Anna Elena Torres and Kenyon Zimmer edit a collection of essays which recovers many aspects of this erased tradition. Contributors bring to light the presence and persistence of Jewish anarchism throughout histories of radical labor, women’s studies, political theory, multilingual literature, and ethnic studies. These essays reveal an ongoing engagement with non-Jewish radical cultures, including the translation practices of the Jewish anarchist press. Jewish anarchists drew from a matrix of secular, cultural, and religious influences, inventing new anarchist forms that ranged from mystical individualism to militantly atheist revolutionary cells. With Freedom in Our Ears brings together more than a dozen scholars and translators to write the first collaborative history of international, multilingual, and transdisciplinary Jewish anarchism.
Erasures and Eradications in Modern Viennese Art, Architecture and Design
Erasures and Eradications in Modern Viennese Art, Architecture and Design challenges the received narrative on the artists, exhibitions, and interpretations of Viennese Modernism. The book centers on three main erasures—the erasure of Jewish artists and critics; erasures relating to gender and sexual identification; and erasures of other marginalized figures and movements. Restoring missing elements to the story of the visual arts in early twentieth-century Vienna, authors investigate issues of gender, race, ethnic and sexual identity, and political affiliation. Both well-studied artists and organizations—such as the Secession and the Austrian Werkbund, and iconic figures such as Klimt a...
Collecting and Provenance
The study of provenance—the history of the creation and ownership of an artefact, work of art, or specimen—provides insights into the history of taste and collecting, illuminating the social, economic, and historic trends in which an object was created and collected. It is as much a history of people as it is of objects, and its study often reveals intricate networks of relationships, patterns of activity and motivations. This book promotes the study of the history of collecting and collections in all their variety through the lens of provenance, and explores the subject as a cross-disciplinary activity. Perhaps for the first time in a publication, it draws on expertise ranging from art ...
Picasso in the Metropolitan Museum of Art
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
