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Perfume
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.
Closet Cases
Jean jackets can be armor. Bracelets, spiritual totems. Belts can save lives, or take them.As a verb, "fashion" is exceedingly queer. Our queer community learns to fashion identity from and through the clothes we wear, the costumes we choose, the fabrics we desire-and the statements these make. No other community allows clothing to serve as such a primary, dominant marker of subjectivity, both individually and collectively. We don't simply permit fashioning; we rely upon what we put on our bodies to tip off, to signal, and to serve as evidence of who we are. This is much more than a "fashion book." It is a collection of artifacts from 75 contributors that testifies to the power of fashion as a verb as it unfolds the complex and lovely strategies governing what we do in the LGBTQ+ community to build authentic selves that are both comfortable and seen.
This Assignment is So Gay
About "it gets better," they were never wrong, the path-forgers, the ground-breakers. How it gets better is another question, for a new century has brought changing minds, but also new hardships. That is why this extraordinary book matters. Teaching is such a sacred office, and we who teach today know the attentiveness that must be brought to the profession. These poems track, record, memorialize, and meditate on that office. There are poems of the student one lost, the student who reached out at last, of the daily commitment that teaching who you are requires, of why it matters. There is nothing like this thoughtful collection of trenchant, witty, poignant, blunt, and luminous poems on the art of teaching by LGBTIQ poets assembled with judicious vision by Megan Volpert. This assignment is so gay is a beautiful and necessary book, not just for teaching, but for us all. - Cynthia Hogue on This assignment is so gay: LGBTIQ Poets on the Art of Teaching
Boss Broad
Boss Broad contains forty poems and dozens of essays that explore what it takes to be a middle-aged hero. The poems are English-to-English translations of Bruce Springsteen songs--popular ones where he directly addresses a female listener, which Volpert audaciously rewrites to answer the Boss back using his own rhyme and meter. In these pages Volpert wears Springsteen's own lyrical swagger so that Rosalita becomes a drag queen, Wendy captains her own ship, and Bobby Jean finally comes out of the closet. The essays examine injections of spirituality in progressive politics, with topics including Stephen Colbert, Patti Smith, the author's career as a punk high school English teacher, what she learned surviving hurricanes in Louisiana, and meditations on what it means to be a cool liberal. As usual, Volpert trespasses on hallowed ground, doing battle with her white lady demons in the name of rock 'n' roll.
Only Ride
Poetry. LGBT Studies. If Denis Johnson had written Tuesdays with Morrie, it'd feel like Megan Volpert's book of prose poems. Clawing its way out through this minimalist checklist of suburban malaise is an emphatically optimistic approach to growing up. These tiny essays carefully detail how to avoid becoming one's parents, how to manage a body addled by disease, and how to keep having the best possible time in life. After all: this is the only ride there is, and we can only ride it. Volpert's is a story of Springsteenian proportions, a gentleman's guide to rebellion complete with iron horses and the church of rock & roll.
RuPaul's Drag Race and Philosophy
As RuPaul has said, this is the Golden Age of Drag—and that’s chiefly the achievement of RuPaul’s Drag Rac,/i>e, which in its eleventh year is more popular than ever, and has now become fully mainstream in its appeal. The show has an irresistible allure for folks of all persuasions and proclivities. Yet serious or philosophical discussion of its exponential success has been rare. Now at last we have RuPaul’s Drag Race and Philosophy, shining the light on all dimensions of this amazing phenomenon: theories of gender construction and identity, interpretations of RuPaul’s famous quotes and phrases, the paradoxes of reality shows, the phenomenology of the drag queen, and how the fake b...
Perfume
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.
One Life
An instant New York Times bestseller! “Rapinoe's 'signature pose' from the 2019 FIFA Women's World Cup is synonymous to the feeling we got when finishing this book: heart full, arms wide and ready to take up space in this world.”—USA Today Megan Rapinoe, Olympic gold medalist and two-time Women's World Cup champion, reveals for the first time her life both on and off the field. Guided by her personal journey into social justice, brimming with humor, humanity, and joy, she urges all of us to ask ourselves, What will you do with your one life? Only four years old when she kicked her first soccer ball, Megan Rapinoe developed a love – and clear talent – for the game at a young age. Bu...
Self-Help Books
Understanding instead of lamenting the popularity of self-help books Based on a reading of more than three hundred self-help books, Sandra K. Dolby examines this remarkably popular genre to define "self-help" in a way that's compelling to academics and lay readers alike. Self-Help Books also offers an interpretation of why these books are so popular, arguing that they continue the well-established American penchant for self-education, they articulate problems of daily life and their supposed solutions, and that they present their content in a form and style that is accessible rather than arcane. Using tools associated with folklore studies, Dolby then examines how the genre makes use of stories, aphorisms, and a worldview that is at once traditional and contemporary. The overarching premise of the study is that self-help books, much like fairy tales, take traditional materials, especially stories and ideas, and recast them into extended essays that people happily read, think about, try to apply, and then set aside when a new embodiment of the genre comes along.
Humour
A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.
