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In 1960, Edward Albee electrified the theater world with the American premiere of The Zoo Story, and followed it two years later with his extraordinary first Broadway play, Who's Afraid of Virginia Woolf? Proclaimed as the playwright of his generation, he went on to win three Pulitzer Prizes for his searing and innovative plays. Mel Gussow, author, critic, and cultural writer for The New York Times, has known Albee and followed his career since its inception, and in this fascinating biography he creates a compelling firsthand portrait of a complex genius. The book describes Albee's life as the adopted child of rich, unloving parents and covers the highs and lows of his career. A core myth of...
A unique collection of interviews with Sir Michael Gambon, ranging over thirteen years, offering a fascinating picture of this most mischievously evasive of actors. Michael Gambon was a notoriously private man. Yet this profile of him in his own words - assembled from interviews with drama critic Mel Gussow - offers the most complete portrait in print of an actor who had 'just about everything - enormous power, great depth, absolute expertise and the ability to illuminate a character by the simplest of means' (Harold Pinter). The book also contains interviews with writers, directors and actors who worked with him (Dennis Potter, Alan Ayckbourn, Harold Pinter, Simon Russell Beale, Deborah Warner, Peter Hall and Adrian Noble). 'Gambon emerges from this entertaining book as a master of understatement, but not of underaction... illuminating flashes of what makes an actor tick' Daily Mail 'Book of the Week'
Biography of Darryl F. Zanuck, an American film producer and studio executive; he earlier contributed stories for films starting in the silent era.
Limelight
In The Actor Speaks, Patsy Rodenburg takes actors and actresses, both professional and beginners, through a complete voice workshop. She touches on every aspect of performance work that involves the voice and sorts through the kinds of vexing problems every performer faces onstage: breath and relaxation; vocal range and power; communication with other actors; singing and acting simultaneously; working on different sized stages and in both large and small auditoriums; approaching the vocal demands of different kinds of scripts. This is the final word on the actor's voice and it's destined to become the classic work on the subject for some time to come.
"These cautionary tales are provocative, highly instructive, occasionally brutal, and, from a safe distance, downright hilarious, making Second Act Trouble the perfect Broadway bedtime reader - unless you are prone to nightmares."--BOOK JACKET.
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and...
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