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Teaching Modern Latin American Poetries
The essays in this book, groundbreaking for its focus on teaching Latin American poetry, reflect the region's geographic and cultural heterogeneity. They address works from Mexico, Chile, Peru, Ecuador, Colombia, Cuba, Brazil, Argentina, Guatemala, Nicaragua, and Uruguay, as well as from indigenous communities found within these national distinctions, including the Kaqchikel Maya and Zapotec. The volume's essays help instructors teach poetry written from the second half of the twentieth century on, meaningfully connecting this contemporary corpus with older poetic traditions. Contributors address teaching various topics, from the silva and the long poem to Afro-descendant poetry, in ways that bring performance, digital approaches, queer theory, and translation into action. The insights offered here will demonstrate how Latin American poetry can become a part of classes in African diasporic studies, indigenous studies, history, and anthropology.
Denationalizing Identities
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
Beyond the Page
Poetry began as a spoken art and remains one to this day, but readers tend to view the poem on the page as an impenetrable artifact. This book examines the performance of poetry to show how far beyond the page it can travel. Exploring a range of performances from early twentieth-century recitations to twenty-first-century film, CDs, and Internet renditions, Beyond the Page offers analytic tools to chart poetry beyond printed texts. Jill S. Kuhnheim, looking at poetry and performance in Spanish America over time, has organized the book to begin with the early twentieth century and arrive at the present day. She includes noteworthy poets and artists such as José Martí, Luis Palés Matos, Eus...
Tell Somebody
Tell Somebody is poetry about what is seen, touched, tasted, and heard that takes on the beauty and ugliness in society. Each poem seeks to persuade the overlooked into public light. The collection comments on the exclusion familiar to people that have their backs pressed against the wall and are concerned to arrest the consequences of inequality issuing forth from cultures of cruelty. Readers are welcomed to step into the existential reality of persons who challenge the moral claims of society upon the marginalized found on the streets, in the workplace, and crossing borders. The collection is a contribution to the artistic expression of a time of social conflict, and it offers a careful and thought-provoking resource by which to reflect on the complex issues of identity and justice in the United States.
The Scroll and the Cross
Jews and Latinos have been unlikely partners through tumultuous times. This groundbreaking, eclectic book of readings, edited by Ilan Stavans, whom The Washington Post described as "one of our foremost cultural critics," offers a sideboard of the ups and downs of that partnership. It includes some seventy canonical authors, Jews and non-Jews alike, through whose diverse oeuvre-poetry, fiction, theater, personal and philosophical essays, correspondence, historical documents, and even kitchen recipes-the reader is able to navigate the shifting waters of history, from Spain in the tenth century to the Spanish-speaking Americas and the United States today. The Reader showcases the writings of such notable authors as Solomon ibn Gabirol, Maimonides, Miguel de Cervantes, Henry W. Longfellow, Miguel de Unamuno, Federico García Lorca, Jorge Luis Borges, Jacobo Timerman, Mario Vargas Llosa, Ruth Behar, and Ariel Dorfman to name only a few.
A History of the Surrealist Novel
A History of the Surrealist Novel offers a rich, long, and elastic historiography of the surrealist novel, taking into consideration an abundance of texts previously left out of critical accounts. Its twenty thematically organized chapters examine surrealist prose texts written in French, English, Spanish, German, Greek, and Japanese, from the emergence of the surrealist movement in the 1920s and 1930s, through the post-war and postmodern periods, and up to the contemporary moment. This approach extends received narratives regarding surrealism's geographical locations and considers its transnational movement and modes of circulation. Moreover, it challenges critical biases that have defined surrealism in predominantly masculine terms, and which tie the movement to the interwar or early post-war years. This book will appeal both to scholars and students of surrealism and its legacies, modernist literature, and the history of the novel.
France and "Indochina"
At the intersection of literary, cultural, and postcolonial studies, this volume looks at French perceptions of "Indochina" as they are conveyed through a variety of media including cinema, literature, art, and historical or anthropological writings. The volume is long awaited, as France's memory of "Indochina" is understudied compared to its relationship with its former colonies in West and North Africa. The book has contemporary urgency as the makeup of France's immigrant population changes and grows to include Vietnamese, Cambodian, and Laotioan populations.
The Price of Fire
New social movements have emerged in Bolivia over the ''price of fire'' - access to basic elements of survival like water, gas, land, coca, employment, and other resources. Though these movements helped pave the way to the presidency for indigenous coca-grower Evo Morales in 2005, they have made it clear that their fight for self-determination doesn't end at the ballot box. From the first moments of Spanish colonization to today's headlines, The Price of Fire offers a gripping account of clashes in Bolivia between corporate and people's power, contextualizing them regionally, culturally, and historically.
Monomania
"This book is about the obsessive strategies people use to keep the arbitrary out of their lives; it is about the fanaticism and intolerance linked to their ideas of perfection and permanence.... Those readers who have brushed against the dangers of the idée fixe, who have come close to surrendering to something or someone diabolically seductive or coercive, will recognize in these characters their own encounter with a dangerously systematized world."—From the introduction. Monomania explores the cultural prominence of the idée fixe in Western Europe during the nineteenth and twentieth centuries. Marina van Zuylen revives the term monomania to explore the therapeutic attributes of obsess...
Please Remember Me
Sometimes the hardest role in life is being true to yourself. Jade Weir did the social scene. She played the ditzy Hollywood socialite and ran with the requisite fast crowds. Until one night and a shooting changed everything. Now she's ready to go toe to toe with the handsome Sheriff's deputy, Marlon Cross. Toe to toe or kiss for kiss, whichever comes first. The real Jade isn't the celebutante from television, and she's ready to do whatever it takes to prove it. But is he ready for her? Marlon liked his quiet and simple existence. No ties means no one gets hurt. And then came Jade. She's a hurricane in high heels and totally trouble for him. She has the power to raise the ghosts in his past, but his heart won't let him walk away. Can they find a way to make the lust simmering between them work or will they simply part as the closest of friends?
