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Expansive and moving, Signal Infinities courses with the intelligences of the body, its music and limits, in search of more enlivening, ethical relationships with each other and the earth. In Signal Infinities a therapist takes up an apprenticeship to a lake, to bare attention. Pain arrives. Collective and personal injuries and errors pile up. The glaciers and ancient forests are disappearing. Unlike the Iliad’s soldiers, the cast of youth in this long poem harbour traumas that are internal, hidden, unsung. Yet each wounded one flickers with defiance and dignity. So too the blue-collar winds, the little brown bats and roadside ferns who send out their urgent signals. With unbridled oxygen affinity, this work attunes to submerged sensations, reflexes, tonal shifts, chemical transmissions and streaming kinesics. It seeks an ethics that respects the body’s imperfect intercom, its private coulees and unstable weathers, its sheer limits. Amid too-little-too-late conditions, Signal Infinities floods with connections that are elemental, illuminating and wildly felt.
★ “Informative, diverse, and highly engaging; a much-needed addition to the realm of mental health.”—Kirkus Reviews, starred review Featuring real-life stories of people who have found hope and meaning in the midst of life’s struggles, Heads Up: Changing Minds on Mental Health is the go-to guide for teenagers who want to know about mental health, mental illness, trauma and recovery. For too long, mental health problems have been kept in the shadows, leaving people to suffer in silence, or worse, to be feared, bullied or pushed to the margins of society where survival is difficult. This book shines a light on the troubled history of thinking about and treating mental illness and tel...
Expansive and moving, Signal Infinities courses with the intelligences of the body, its music and limits, in search of more enlivening, ethical relationships with each other and the earth. In Signal Infinities a therapist takes up an apprenticeship to a lake, to bare attention. Pain arrives. Collective and personal injuries and errors pile up. The glaciers and ancient forests are disappearing. Unlike the Iliad’s soldiers, the cast of youth in this long poem harbour traumas that are internal, hidden, unsung. Yet each wounded one flickers with defiance and dignity. So too the blue-collar winds, the little brown bats and roadside ferns who send out their urgent signals. With unbridled oxygen affinity, this work attunes to submerged sensations, reflexes, tonal shifts, chemical transmissions and streaming kinesics. It seeks an ethics that respects the body’s imperfect intercom, its private coulees and unstable weathers, its sheer limits. Amid too-little-too-late conditions, Signal Infinities floods with connections that are elemental, illuminating and wildly felt.
Jane tells the spectral story of the life and death of Maggie Nelson's aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane's murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane's death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Jane explores the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane's own diaries written when she was 13 and 21. Its eight sections cover Jane's childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson's girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane's sister) to retrace the path of Jane's final hours.
Melanie Siebert’s stunning debut collection travels remote northern rivers, as well as two of Canada’s most threatened rivers, the Athabasca and the North Saskatchewan. These rivers push the poems into a contemplation of loss and into the terrain of Alexander Mackenzie’s dreams, a busker’s broken-down street riffs, and the borderland wanderings of a grandmother whose absence is felt as a presence. The poems’ currents are turbulent, braided, submerged. Narrative streams appear like tributaries glimpsed through brush, and then veer into unexpected territories, where boundaries blur – between the self and the other, between the living and the dead, between the human and the wild – and loss carries with it both music and silence. In this virtuoso collection, Melanie Siebert has transformed language into that rarest thing, a singular poetic vision.
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Distinctive poems by the American writer reveal his vision of contemporary life and man's struggles to find a meaningful existence
The Haiku Year exists because seven friends made a pact to write haikus every day for a year as a way to keep in touch with each other. The finished product is a document of a year’s worth of moments filled with joy, sorrow and unexpected beauty. The book y creates the sense that present moments do not just disappear and provides a visceral understanding of how these moments fit into the context of the rest of our lives. The short verses in Haiku Year stab and elate. They hint at both the transcendence and mediocrity of everyday life. The power of Michael Stipe’s southern, twilight drenched lyrics from early REM albums is present in the volume. Douglas A. Martin’s sparse yet descriptive prose gleams throughout. The thoughtful storytelling of Grant Lee Phillips is pared down to the simplest words to describe an instance. The Haiku Year is about the appreciation of small moments of beauty, ultimately adding up to the appreciation and respect not only for our individual lives but for all the lives that intersect with ours. The Haiku Year effortlessly urges readers to enjoy details and to let spare moments pierce through the numbness of everyday routine.
»Enspannt trat sie durch die Pforte, doch dann passierte es. Ein kräftiger Arm legte sich um ihren Hals und drückte ihr die Luft ab. Sie hatte keine Chance, sich zu wehren. Gleichzeitig spürte sie die Mündung einer Waffen an ihrer linken Schläfe.« Jenny Becker ist glücklich. Endlich sind Staatsanwalt Biederkopf und sie ein Paar. Doch die Beziehung wird auf eine harte Probe gestellt, als Biederkopf von einem auf den anderen Tag verschwindet, eine Krankmeldung hinterlässt und eine mysteriöse SMS sendet. Auch sein bester Freund Erich Öhler kann keinen Hinweis auf seinen Verbleib geben. Jenny ist beunruhigt und ermittelt mit ihren Kollegen Sascha und Logo inoffiziell. Als sie auf Ungereimtheiten in Biederkopfs Vergangenheit stößt und Erich Öhler ermordet wird, wird aus ihrer Unruhe Sorge. Jenny und ihr Team arbeiten unter Hochdruck an dem Fall, der weit in die Vergangenheit reicht und Kreise vom Rockermilieu bis hin zu BKA und Verfassungsschutz zieht. Schließlich gerät Jenny selbst in höchste Gefahr.
Emphasizing the role that vivid personalities – including engineers John Laing Weller and Alex Grant as well as contractors and labourers – played in the construction of the canal, Roberta Styran and Robert Taylor use archival sources, government documents, newspapers, maps, and original plans to describe a saga of technological, financial, geographical, and social obstacles met and overcome in an accomplishment akin to the building of the Canadian Pacific Railway. A story of Canadian skill, courage, vision, and hardship, This Colossal Project details the twenty-year excavation of the giant channel and the creation of huge concrete locks amidst war, the Great Depression, political change, and labour unrest.