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Angel's Messiah
Would you risk everything, for salvation? Helena — part earth-bound angel, part vampire — is pregnant, and it's playing havoc with her unique abilities. Her usual diet of vampire blood makes her physically ill, one minute she's visible the next she's not, and she's suffering from blackouts. After yet another blackout, Helena finds herself back in Satan's clutches. This time there is no way for her to escape on her own, and a dangerous rescue mission ends with Helena going into labour prematurely. Helena's child is born and all too soon must leave her to deliver a message to the mortal world. But the last time someone was sent with a message, it didn't end well ...
Angel's Curse
What lengths would you go to for revenge? Helena is furious beyond belief. She can't forgive the angels for what they did to her, and Danizriel — one of their own kind — who sought only to help her. Now she's out for revenge. A coordinated blitz takes place on the solstice and thousands of vampires lay waste to the angelic host, in an attack orchestrated by Helena. In exchange for her help she receives three weapons from the time of the fall — powerful enough to destroy archangels. With three archangels down and one to go, Helena gambles with her soul to pull off the kind of bluff that even Satan might fall for. If she loses, the devil takes it all.
Angel's Body
One body, two souls ... Helena is possessed by a demon, and those who matter most to her are blind to her plight. She's trapped in a body that she no longer controls, her soul in a constant state of torture. Desperate to be take back what is hers, Helena tries time and again to overcome the deranged demonic spirit that is using her body to wreak havoc in the mortal world. The demon, furious at Helena's attempts to thwart it and regain control, seeks an exorcist to cast her out. The time has come for Helena to take a final stand and fight for her freedom. Only one of them can survive, but which one?
Twisted Poems of a Warped Mind
In the author's own words, "These are classics in my own mind." Readers beware! Some of you will be shocked by parts of this book. Vegetarians may be disturbed by turkeys on the menu, or kiddies in a witch's freezer. Others could well get excited by all the chopping, reaping and killing or be offended by the mushy poems professing love. If you prefer a little titillation, be warned, there are no refunds or compensation for bruised buttocks from the house of sin. Not put off by any of the above? Maybe just a bit by the mushy love Desensitised to violence and killing? Though the titillation might be thrilling Rhyming or not, it's all the same Sounds as if you would be game So take the plunge, if you dare Then leave a review -- it shows you care.
Where The Body Was
ED BRUBAKER and SEAN PHILLIPS, bestselling creators of PULP, RECKLESS, and CRIMINAL, are back with a new original graphic novel that readers will be obsessed withÉA boarding house full of druggies. A neglected housewife. A young girl who thinks shes a superhero. A cop who wants to be left alone. And a private detective looking for a runaway girl. These stories collide one fateful summer in WHERE THE BODY WAS, a tale of love and murder in the suburbs, told from a dozen different points of view. All the neighbors on the block have an opinion about the murder and how it happened, but which of them is telling the truth?WHERE THE BODY WAS is a tour-de-force from grandmasters ED BRUBAKER and SEAN PHILLIPS. Starting with a map of the crime scene, this murder mystery follows the ripples of this killing as they echo through decades of love and loss and passion and violence. Like a true crime podcast crossed with a long-lost diary, WHERE THE BODY WAS is unlike anything BRUBAKER PHILLIPS have ever done and a must-have for all their avid fans!
Criminal 10Th Anniversary Special Ed
BRUBAKER and PHILLIPS return ten years later to the world of CRIMINAL for one of their darkest and strangest tales yet. Teeg and Tracy Lawless co-star in this one-shot, a twisted 70s noir about a father and son on the run. Also includes articles, illustrations, and behind-the-scenes extras.
Son of Rosemary
Return to the dark and haunting world of Rosemary’s Baby in Ira Levin’s beguiling sequel, Son of Rosemary. Levin’s Rosemary’s Baby, one of the best-selling books of all time, is the iconic classic that ushered in the era of modern horror. This shocking and darkly comic sequel is set well after the harrowing events of the first book, and is just as compelling and suspenseful. It is now 1999, and Rosemary Woodhouse awakens from a decades-long coma to find herself in a drastically changed world. She soon discovers her son is already thirty-three years old, an a charismatic spiritual leader worshipped the world over, preaching a message of tolerance and peace. But is “Andy” the savior the troubled world so desperately needs, or is he his father’s son—the Antichrist? Master of suspense Ira Levin’s sardonic and thought-provoking exploration of good and evil, Son of Rosemary, finds Rosemary and her child reunited in a battle of wills that could determine not just the course of the new millennium—but the very fate of humankind.
Return of Magic
Thirty-one years have passed. Leira and Correk have made a sudden return to Austin at the behest of Estelle. No one turns down a request from Estelle. Magicals have been found unconscious all over town. Their souls ripped from their bodies. Is it a virus? Or is it a new foe with a gruesome scheme? Leira Berens is left with no magical trails to follow and the bodies keep piling up. Felix Hagan has come back to help solve this case before it's too late. Can Izzie be far behind? An old menace has reappeared. This time with a few new tricks. Will Leira be able to put the pieces of this puzzle together in time? Will the cure turn out to be worse than the problem? Find out in the start of the next adventure in Return of Magic, Book 13 in The Leira Chronicles. Magic is real.
Terror Television
Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter's The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure.
Literary Secretaries/Secretarial Culture
Secretaries are the hidden technicians of much literary (and non-literary) writing; they also figure startlingly often as characters in modern literature, film, and even literary criticism. Literary Secretaries/Secretarial Culture brings together secretaries' role in the production (and, more surprisingly, consumption) of modern culture with interpretations of their function in literature and film from Chaucer to Heidegger, by way of Dickens, Dracula, and Erle Stanley Gardner. These essays probe the relation of office practice to literary theory, asking what changes when literary texts represent, address, or acknowledge the human copyist or the mechanical writing machine. Topics range from copyright law to voice recognition software, from New Women to haunted typewriters and from the history of technology to the future of information management. Together, the essays will provide literary critics with a new angle on current debates about gender, labour, and the material text, as well as a window into the prehistory of our information age.
