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A thought-provoking Colombian crime novel set in and around a beauty salon in Bogota
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José Maria Escobar (born ca. 1751) was adopted by José Miguel Antonio Ramírez, and was brought to live in Mier, Tamaulipas, Mexico when he was nine years old. Maria Antonia Gertrudis Chapa was the daughter of Maria Rita López de Jaen, who was the second wife of Escobar's adoptive father. In 1770, Escobar married Maria Antonia Gertrudis Chapa. He inherited a portion of land called Porción 76 from Ramírez, and later purchased the remainder of Porción 76 from his mother in law and step-mother, Maria Rita López de Jaen. The property was in Mier, which later became part of Starr County, Texas. Escobar ancestors came from Spain to Mexico, some being soldiers with Cortez at Vera Cruz in 1519. Members of the Escobar family lived in Texas and northern Mexico, along the Rio Grande River. They settled mainly at Escobares, Los Sáenz, La Rosita, Roma (Roma-Los Sáenz), and Rio Grande City. Others moved to California, New York, Ohio, Washington D.C., and elsewhere.
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How do contemporary female authors in Latin America tackle gender violence in their writings?This book analyses the portrayal of violence against women in the works of ten contemporary Latin American female authors: Alejandra Jaramillo Morales, Laura Restrepo, Ena Lucia Portela, Wendy Guerra, Selva Almada, Claudia Pineiro, Diamela Eltit, Carla Guelfenbein, Lydia Cacho and Fernanda Melchor. Governments in Latin America have routinely failed to protect women from abuse, threats, censorship, repressive policies on reproduction rights, forced displacement, sex trafficking, disappearances and femicides, and this book beats a new path through these burning issues by drawing on the knowledges encap...
The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of Cés...
This volume examines how violence and resilience is experienced in urban spaces, and explores the history of a variety of people told from the perspective of the margins. Reterritorializing the Spaces of Violence in Colombia provides critical and empirical examples of individuals and groups who believe in their collective power, reject war and violence, and manifest their resistance through art and activism in ways that rethread the social fabric. This book is the result of extensive fieldwork conducted over ten years in Medellín and Bogotá and it brings into focus the ways that hip hop, poetry, urban art, and the creation of communities and shared experiences bring about new ways to digni...
Massagem, manicura, morte A Casa da Beleza oferece uma radiografia descarada de um país em que os ideais sucumbem facilmente perante a corrupção, a injustiça e a cultura do dinheiro fácil. No melhor estilo da novela negra, esta é uma história que mostra o pior da América Latina de hoje. O tema de fundo são as relações de poder, desenhadas a partir das vozes de três mulheres que vão tecendo uma trama de histórias, com um afamado salão de beleza de Bogotá como pano de fundo, para desmascarar uma sociedade construída em mentiras. Karen, esteticista de profissão, muda-se de Cartagena para Bogotá em busca de uma vida melhor, mas ao chegar não só consegue trabalho como depilad...
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Through a comparative analysis of the novels of Roberto Bola–o and the fictional work of CŽsar Aira, Mario Bellatin, Diamela Eltit, Chico Buarque, Alberto Fuguet, and Fernando Vallejo, among other contemporaries, HŽctor Hoyos defines new trends in how we read and write in a globalized era. Calling attention to fresh innovations in form, voice, perspective, and representation, he also affirms the lead role of Latin American authors in reshaping world literature. Focusing on post-1989 Latin American novels and their representation of globalization, Hoyos considers the narrative techniques and aesthetic choices Latin American authors make to assimilate the conflicting forces at work in our ...