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Diversifying Greek Tragedy on the Contemporary US Stage
In its long history of performance and reception, Greek drama has been interpreted and adapted in ever-changing ways to share in the preoccupations and tensions of particular historical moments. Diversifying Greek Tragedy on the Contemporary US Stage explores this tradition by investigating a cross section of theatrical productions that have reimagined Greek tragedy in order to address social and political concerns in the US. Studying performance and its role in creating social, historical, and cultural identities, this volume draws on cutting-edge research to move discussion away from the interpretation of dramatic texts in isolation from their performance contexts and towards an analysis o...
Crime Fighting Heroes of Television
Superheroes and characters who fight crime by extraordinary means have populated the television airwaves from the beginning. This broad-ranging reference contains a trove of information on shows featuring such characters as Superman and Black Scorpion to programs like The A-Team and Knight Rider. Regular police and detective shows have been excluded. Alphabetical entries on 125 network, cable and syndicated series broadcast from 1949 to 2001, plus 26 pilot films, deliver information about story premises, characters, and myriad elements that add flavor and interest to the shows, as well as cast listings and broadcast data. A handy index of performers is included as well as appendices listing the crime fighting superheroes and machines that appear in the programs.
The Book of Three
An authorized guide to the popular television show features a series overview, character profiles, episode guides, interviews, quotes, and fun facts.
Vows, Veils, and Masks
Vows, Veils, and Masks offers a bold and timely approach to the plays of Eugene O’Neill with its attention to the engagements, weddings, and marriages so crucial to the tragic action in O’Neill’s works. Specifically, the book examines the culturally sanctioned traditions and gender roles that underscored marital life in the early twentieth century, and that still haunt and define love and partnership in the modern age. Weaving in artifacts like advice columns, advertisements, theatrical reviews, and even the lived experiences of the actors who brought O’Neill’s wife characters to life, Beth Wynstra points to new ways of seeing and empathizing with those who are betrothed and new possibilities for reading marriage in literary and dramatic works. She suggests that the various ways women were, and still are, expected to divert from their true ambitions, desires, and selves in the service of appropriate wifely behavior is a detrimental performance and one at the crux of O’Neill’s marital tragedies. This book invites more inclusive and nuanced ways of thinking about the choices married characters must make and the roles they play, both on and off the stage.
His Cinderella (A Possessive Mafia Dark Romance)
She thinks she can escape me? She’s wrong. She will never escape. Ella Ashmore was perfect. Hell, she still is. Kind. Sweet. Pretty. A body that doesn’t quit. She’d have guys lined up around the block if they weren’t so worried I’d kill them for looking. Because I never stopped loving her. Even when she found out about me. About my family. Got sickened and disgusted about what I did for a living. Told me to get the hell out. Sure, I left. But I knew I’d be back. That I’d make her mine. And now… I’m back, baby. She needed saving. She put herself out there. For sale. Anyone coulda had her. But I got her. I paid good money for her. And now I’m going to collect.
Text & Presentation, 2007
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 31st annual conference held in Los Angeles, California. Topics covered include Chicano theatre, the Vietnam War and 9/11 in the French theatre, actresses and modern Hamlet, Asian theatre, Antigone in pre- and post-communist Germany, adapting an Internet comic strip for the stage, and the future of dramatic literature in the academy, among others.
Text & Presentation, 2010
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. This new volume represents a selection of the best research presented at the 34th international, interdisciplinary Comparative Drama Conference held in Los Angeles in 2010. Topics covered include metatheatrical experiments and adaptations of Greek tragedy, early Soviet orientalist plays, the working class on the 1920s Broadway stage, Tennessee Williams's grandfather as character model, psychotherapy on stage, and African American musicals, among other topics. Reviews of eight selected books are also included.
Text & Presentation, 2006
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 30th annual conference held in Los Angeles, California. Topics covered include Beckett, Brecht, Goethe, Tom Stoppard, dance performance, staged violence, the Comedie Francaise, and Greek and Japanese drama. Reviews of selected books are also included.
Hold Back the Tide
From internationally bestselling, acclaimed author Melinda Salisbury comes a darkly seductive story of murder, betrayal, love, and monsters in a small town in the Scottish Highlands. Here are the rules of living with a murderer.One: Do not draw attention to yourself.It's pretty self-explanatory -- if they don't notice you, they won't get any ideas about killing you. Be a ghost in your own home, if that's what it takes. After all, you can't kill a ghost.Of course, when you live with a murderer, sit opposite them for every meal, share a washroom and a kitchen, sleep a mere twelve feet and two flimsy walls away from them, this is impossible. Even the subtlest of spectres is bound to be noticed....
