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This collection of essays resituates poetic works by Derzhavin, Krylov, Batisushkov, Pushkin, Girboedov, Lermontov, Baratynsky and Pavlova, within the force fields of contradicoty cultural pressures, as are the once best-selling prose narratives of Narezhnyi, Karamzin, Viazemsky and others.
A genealogy of the descendants of Daniel Frazier of Bertie County, North Carolina. He applied for land grants there in 1728, 1734, and 1756.
An Ordinary Marriage is the story of the Chikhachevs, middling-income gentry landowners in nineteenth-century provincial Russia. In a seemingly strange contradiction, the mother of this family, Natalia, oversaw serf labor and managed finances while the father, Andrei, raised the children, at a time when domestic ideology advocating a woman's place in the home was at its height in European advice manuals. But Andrei Chikhachev defined masculinity as a realm of intellectualism; the father could be in charge of moral education, defined as an intellectual task. Managing estates that often barely yielded a livable income was a practical task and therefore considered less elevated, though still vi...
With Shakespeare's Eyes is the first monograph to focus exclusively on the relationship between the Russian poet Alexander Pushkin and Shakespeare. Taking into account contemporary perceptions of Shakespeare in print and on the Russian stage, O'Neil examines all levels of poetic influence of Shakespeare on Pushkin. In addition to untangling the central presence of Shakespeare on Pushkin's historical tragedy 'Boris Godunov'. O'Neil examines Shakepeare's influence in many other works by Pushkin, an influence that ranges from the textual to the conceptual. The Shakespeare plays addressed most closely in this book are 'Othello', 'Measure for Measure', and 'Julius Ceasar', all of which interact in a dynamic way with Pushkin's creative development. This book will help English readers understand better what it means to say Pushkin is 'the Shakespeare of Russia.' Catherine O'Neil is Assistant Professor of Russian at the University of Denver.
Relations between the Russian nobility and the state underwent a dynamic transformation during the roughly one hundred-year period encompassing the reign of Catherine II (1762–1796) and ending with the Great Reforms initiated by Alexander II. This period also saw the gradual appearance, by the early decades of the nineteenth century, of a novelistic tradition that depicted the Russian society of its day. In Noble Subjects, Bella Grigoryan examines the rise of the Russian novel in relation to the political, legal, and social definitions that accrued to the nobility as an estate, urging readers to rethink the cultural and political origins of the genre. By examining works by Novikov, Karamzi...
"The available sources on Hasidic society at the turn of the twentieth century create an impression of discontented Jewish youth and panicked parents, but not inexorable crisis and decline. Though the First World War and post-war pogroms further destabilized Hasidic society, they inadvertently created opportunities for the reinvention and revitalization of traditionalist education. The challenges of the early twentieth century would prove more galvanizing than demoralizing for certain visionary, reform-minded Hasidic leaders"--
"Civil society" is a loaded concept in Russia; during the Soviet period, the voices that heralded civil society were the same ones that demanded the Union's dissolution. So, for the Kremlin, civil society is not the guarantor of democracy, but a force that has the power to end governments. This book looks at how civil society negotiates power on a global stage, under Russia's authoritarian regime, and in a particularly isolated and remote part of the world: within environmental activism around Lake Baikal in Siberia. More than a mile deep, Lake Baikal is the oldest, deepest, and most voluminous lake on the Earth, and home to thousands of endemic species. It is also ecologically unique in tha...
Likened to a second Tsar in Russia and attaining prophet-like status around the globe, Tolstoy made an impact on literature and the arts, religion, philosophy, and politics. His novels and stories both responded to and helped to reshape the European and Russian literary traditions. His non-fiction incensed readers and drew a massive following, making Tolstoy an important religious force as well as a stubborn polemicist in many fields. Through his involvement with Gandhi and the Indian independence movement, his aid in relocating the Doukhobors to Canada, his correspondence with American abolitionists and his polemics with scientists in the periodical press, Tolstoy engaged a vast array of national and international contexts of his time in his life and thought. This volume introduces those contexts and situates Tolstoy—the man and the writer—in the rich and tumultuous period in which his intellectual and creative output came to fruition.
The primal scene of all nineteenth-century western thought might involve an observer gazing at someone poor, most commonly on the streets of a great metropolis, and wondering what the spectacle meant in human, moral, political, and metaphysical terms. For Russia, most of whose people hovered near the poverty line throughout history, the scene is one of special significance, presenting a plethora of questions and possibilities for writers who wished to depict the spiritual and material reality of Russian life. How these writers responded, and what their portrayal of poverty reveals and articulates about core values of Russian culture, is the subject of this book, which offers a compelling look into the peculiar convergence in nineteenth-century Russian literature of ideas about the poor and about the processes of art.
Skilfully connecting multidisciplinary sources along broad historical continuum, The Space of the Book will be a valuable resource as the study of Russian print culture takes on new directions in a digitized world.