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Catalog of an exhibition held at the Nasher Sculpture Center, Dallas, Texas, January 31-May 10, 2015; the Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 1, 2015 - January 3, 2016; and the Columbus Museum of Art, Columbus, Ohio, February 12-May 8, 2016.
Melvin Edwards (b.1937) is a pioneer in the history of contemporary African-American art and sculpture. Born in Houston, Texas, he began his artistic career at the University of Southern California. The exhibition is the artistœs first solo exhibition in Brazil. It brings together 38 works from the iconic sculpture series by one of the most important American artists of his generation. The exhibited works span more than five decades of his production -from 1963 to 2016- and its starting point coincides with a crucial period of the civil rights movement in the United States.ʺ Page [7]. Edwards uses welds scraps of found metal to create new forms, and the sculpturesœ implicit threat of violence derives in part from the chains, nails, and other tools of which they are constructed. He made this work during and immediately following a residency in Zimbabwe.
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The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Blac...
A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya ...
Discusses African American folk art, decorative art, photography, and fine arts.
A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where Afr...
Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
A richly illustrated biographyon the life and work ofBarbara Hepworth, one of thetwentieth century's mostinspiring artists and a pioneerof modernist sculpture.