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We Pursue Our Magic
Drawing on the collected archives of distinguished twentieth-century Black woman writers such as Lucille Clifton, Audre Lorde, Toni Cade Bambara, Lorraine Hansberry, and others, Marina Magloire traces a new history of Black feminist thought in relation to Afro-diasporic religion. Beginning in the 1930s with the pathbreaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women, she offers an alternative genealogy of Black feminism, characterized by its desire to reconnect with ancestrally centered religions like Vodou. Magloire reveals the tension, discomfort, and doubt at the h...
Feelin
How creativity makes its way through feeling—and what we can know and feel through the artistic work of Black women Feeling is not feelin. As the poet, artist, and scholar Bettina Judd argues, feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women—from poet Lucille Clifton and musician Avery*Sunshine to...
Proceedings
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Annual Report of the Commissioner of Patents
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
Black Bodies and Transhuman Realities
Black Bodies and Transhuman Realities: Scientifically Modifying the Black Body in Posthuman Literature and Culture makes a series of valuable contributions to ongoing dialogues surrounding posthuman blackness and Afro-transhumanism. The collection explores the Black body (self) in the context of transhuman realities from a variety of literary and artistic perspectives. These points of view convey the cultural, political, social, and historical implications that frame the space of Black embodiment, functioning as sites of potentiality and pointing toward the possibility of a transcendental Black subjectivity. In this book, many questions concerning the transformation of the Black body are presented as parallels to philosophical and religious inquiries that have traditionally been addressed from a hegemonic viewpoint. The chapters demonstrate how literature, based on its historical and social contexts, contributes to broader thought about Black transcendence of subjectivity in a posthuman framework, exploring interpretations of the “old” and visions of the “new” human.
Frederick Douglass and the Philosophy of Religion
Frederick Douglass and the Philosophy of Religion: An Interpretation of Narrative, Art, and the Political addresses Douglass’s narrative method and the reformed epistemology of analytic theism within the context of Incarnational theology. Timothy J. Golden argues that in this context, Douglass’s use of narrative maintains a robust moral, social, and political engagement—and thus a closer connection to an authentic Christian theology—in a way that analytic theism does not. To show this contrast, Golden presents existential and phenomenological interpretations of Douglass, reading him alongside Kierkegaard, Kafka, and Levinas. Golden concludes the book with reflection on how Douglass’s Incarnational theology connects to his future philosophical and theological work, which understands consciousness (subjectivity) as saturated in time understood as history. Golden argues that the resulting view of consciousness helps to overcome abstraction in a variety of philosophical subfields, including jurisprudence and gender studies.
Africana Religion in the Digital Age
This book diversifies the fields of digital religion studies and Africana religious studies by considering the nuanced intersections between digital technologies and the religious experiences of African Americans. While Christianity is a continuous marker of religious identity for many African Americans, this digital approach to examining Africana religion in the US uncovers other non-Christian esoteric traditions that have often been marginalized within academia. The book explores the diverse ways that African Americans employ the Internet, social media, human enhancement technologies, and gaming to construct multidimensional modes of religious identities. It also considers the ways that Africana religious practitioners employ digital platforms to both complement and disrupt religious authority. Ultimately, the book establishes Africana religious experiences as viable entry points in the scholarly engagement of religion in the digital age. As such, it will be a key resource for scholars of Religious Studies, Africana Religious and Esoteric Studies, Religion and Culture and Religion and Sociology.
