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Plants by Numbers
This open access book takes a queer feminist technoscience approach to the ecologies that emerge from our entanglements with nonhumans (air, rocks, algae, trees, soil and plants) and computational hard/software. Artists, feminist techno-scientists and theorists working with computation, Plants by Numbers address the current need to think beyond the human paradigm, opening up new fields of debate that question the troubled relationship between ecosystems and human technology. Organised around three key themes – techno-nature entanglements, plants as resistant agents, and becoming-with-plants – the volume provides a vital pathway through complex theoretical ideas that inform the practices ...
D'Arcy Wentworth Thompson's Generative Influences in Art, Design, and Architecture
Scottish zoologist D'Arcy Wentworth Thompson's visionary ideas in On Growth and Form continue to evolve a century after its publication, aligning it with current developments in art and science. Practitioners, theorists, and historians from art, science, and design reflect on his ongoing influence. Overall, the anthology links evolutionary theory to form generation in both scientific and cultural domains. It offers a close look at the ways cells, organisms, and rules become generative in fields often otherwise disconnected. United by Thompson's original exploration of how physical forces propel and shape living and nonliving forms, essays range from art, art history, and neuroscience to arch...
Art and Biotechnology
This interdisciplinary anthology examines the relationship between developments in biotechnology and both artistic and literary innovation, focussing in particular on how newfound molecular technologies and knowledge regimes, such as CRISPR gene editing, alter conceptions of what it means to be human. The book presents 21 essays, split across four parts, from a coterie of artists, theorists, historians and scientists which examine the symbiotic relationship between humans, animals, and viruses as well as the impossibility of germ-free existence. The essays in this volume are urgent in their topicality, embodying the exhilarating yet alarming zeitgeist of contemporary nonhuman-to-human viral transmission and gene editing technologies. Ultimately, Art and Biotechnology reveals how art and biotechnology influence each other and how art has shaped the discussion around gene editing and the socio-cultural aspects of the Covid-19 pandemic. It is essential reading for students and researchers focussing on science and art, environmental humanities, and ethics.
The Art and Films of Lynn Hershman Leeson
Contents of accompanying DVD-ROM on p. 221 of text.
The Routledge Companion to Biology in Art and Architecture
The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.
The Routledge Companion to Biology in Art and Architecture
The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.
Women Making Art
Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts. Marsha Meskimmon mobilizes contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasizing the diversity of women's art and the importance of differences between women.
Sea Currents in Nineteenth-Century Art, Science and Culture
The 19th-century ocean world inspired a multifaceted material discourse that intersected with scientific exploration, colonial expansion, industrial development, and the rise of middle-class leisure. From the seashore to the seabed, marine life forms and environments, made tangible through a range of representational technologies, processing and marketing, captivated practitioners, and audiences on a local and global scale. How did metropolitan and regional scientists, artists, dealers, designers, manufacturers and amateur enthusiasts experience and value the products and sites of the sea? This book examines the commoditization of the ocean world focusing on the transaction of oceanic object...
Space Feminisms
"This book examines how scientific, popular, scholarly, and artistic imaginations of outer space have, since the 1950s, reflected and embedded Earthly hopes, anxieties, and futures. Rather than simply a platform for imagining the future, this book sees outer space as a material reality that reflexively encodes humans' self-perceptions of their planet and beyond. Employing a global approach to feminist theory, Space Feminisms cultivates radical and alternative modes of inquiry around outer space. It contains essays from leading scholars working across the space sciences, art, and anthropology, artworks and texts by contemporary artists working in the field of space art, and interviews with NA...
Reclaiming the Archive
Illustrates the rich relationship between film history and feminist theory. Reclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches--including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis--by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in Reclaiming the Archive i...
